Yugen orme 50, 2022
Sculpture : wood, gold leaf · 70 x 50 x 2.5 cm 27.6 x 19.7 x 1 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
70 x 50 x 2.5 cm 27.6 x 19.7 x 1 inch Height x Width x Depth
Dimensions of pedestal:
20 x 50 x 10 cm 7.9 x 19.7 x 3.9 inch
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Credentials
Vetted seller since 2018 • Top Seller
Description
This Japanese aesthetic concept is that of a subtle, diffuse beauty, made of infinite resonances which refers to the mysterious beauty of the world.
This sensitivity is found in the nature that surrounds us and is expressed most beautifully in the world through wood.Each piece of wood reflects a life, an experience incredible and unsuspected. Like a rough diamond that needs to be polished and faceted to give it its shine, a piece of raw wood hides its most finery, waiting to shine and reveal its splendor to us.
Do we fully discern our environment?
Let us be enchanted by this incredible nature, rediscover and marvel at the magic of our world.
This sensitivity is found in the nature that surrounds us and is expressed most beautifully in the world through wood.Each piece of wood reflects a life, an experience incredible and unsuspected. Like a rough diamond that needs to be polished and faceted to give it its shine, a piece of raw wood hides its most finery, waiting to shine and reveal its splendor to us.
Do we fully discern our environment?
Let us be enchanted by this incredible nature, rediscover and marvel at the magic of our world.
Presentation
Agnes K. lives near Aix en Provence and carves wood in her studio bathed in Provencal light. Wood is a noble material, alive, demanding, shape shifting and in constant evolution depending on the weather conditions and the environment.
But it is above all a material that awakens the senses: sensual, warm, comforting and pleasant to the eye as well as the touch, with scents specific to each essence.
These are the aspects that she highlights in her art: sublimating the wood in itself, its colors, its touch, its distinctive elements; either starting from a piece of raw wood by allowing it to tell a story, or by sculpting or turning the wood to bring out a shape, a line.
She particularly attaches great importance to the play of lights, the contrasts, the shadows, which give emphasis and depth to her pieces.
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