Nelly & Nelson, 2020
Sculpture : wood, metal, object, assemblage · 30 x 25 x 8 cm 11.8 x 9.8 x 3.1 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
wood , metal , object , assemblage , without pedestal
Dimensions ( cm • inch )
30 x 25 x 8 cm 11.8 x 9.8 x 3.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
With humor and poetry, this inveterate gleaner, Latino-poet of the absurd, plays with his brushes and his assemblies on diverted supports (recovered objects, recycled materials and any blank-or-not support, found here- of the…).
In his very personal graphic universe, halfway between the geoglyphs of Nazca and the graffiti of Keith Haring, mix a whole crazy bestiary (birds, crocodiles, snakes, TV or boats with legs,…) and funny people, who, like Shadocks, mimic the contradictions of our globalized world, all of this, of course, in a skilfully orchestrated flow of colors.
In his very personal graphic universe, halfway between the geoglyphs of Nazca and the graffiti of Keith Haring, mix a whole crazy bestiary (birds, crocodiles, snakes, TV or boats with legs,…) and funny people, who, like Shadocks, mimic the contradictions of our globalized world, all of this, of course, in a skilfully orchestrated flow of colors.
Presentation
Born October 22, 1946 in Santiago, Chile, this pigeon has lived for twenty years in the south of France. Party of Santiago following the military coup of 1973, he first lived in several Latin countries US before coming to nest on the Provençal lands. As a graphic designer, he worked in the Argentine, Mexican and Chilean media who fought for freedom of expression and the end of dictatorships; today as an artist, he kept the footprints of its origins and paints, sculpts and makes installations with materials picked up here and there.
Through a free illustration, color, material and profusion, he deposits on various substrates (wood, canvas, cardboard, plexiglass, varied recycling equipment ) images that he caught on the fly, during his travel and contact with disabilities and other artists. Gleaner inveterate, it also fills with humor and poetry devious objects or blank media while pointing his brushes and pencils on the contradictions of our globalized world.
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