Sekitori : an crimson silent strength, 2022
Sculpture : resin · 150 x 180 x 50 cm 59.1 x 70.9 x 19.7 inch
$25,695
25 695 $US
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Shipped from: France
Delivery to: United States Free delivery
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : numbered and limited to 8 copies
1 copy available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Engraved signature
Technique & Support
resin , without pedestal
Dimensions ( cm • inch )
150 x 180 x 50 cm 59.1 x 70.9 x 19.7 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2014
Description
Sekitori : A Crimson Silent Strength asserts a striking sculptural presence within the practice of Ryoko Watanabe, where color becomes a conduit for emotional intensity and contained energy.
Part of the series Wall Whispers : Breathing Life into Silence, this wall-mounted sculpture portrays a sumotori figure appearing to break free from a flat surface.
The body is composed of multiple segments, heightening the illusion of motion suspended between emergence and restraint.
Its deep crimson tone introduces an almost visceral dimension, evoking pulse, vitality, and internal force.
Unlike the monochrome variations in the series, this version embraces direct chromatic expression.
Red operates here as an emotional signature, capturing the tension between strength and control.
The outstretched arms suggest both openness and vulnerability.
The wall ceases to function as a boundary, instead becoming a threshold into the viewer’s space.
Reflected light across the glossy surface intensifies the sensation of latent movement.
Projected shadows form a secondary, immaterial sculpture that evolves with changing light.
Watanabe transforms the sumotori’s body into a symbol of silent resilience.
The visual fragmentation reflects the continuous effort required to maintain inner balance.
The grounded stance communicates stability amid visible tension.
The sculpture invites a slow, contemplative reading of volume and spatial relationships.
The red palette establishes a dialogue with Japanese cultural symbolism while asserting a distinctly contemporary voice.
Viewers perceive both physical power and psychological introspection within the form.
As a major member of the Japanese studio CrazyNoodles, founded by Hiro Ando, Watanabe develops a sculptural language where emotion and materiality converge.
Her wall-based works redefine relief as an immersive sensory experience.
Sekitori : A Crimson Silent Strength demonstrates her ability to infuse restrained forms with contained dynamism.
The visual tension is matched by a strong symbolic resonance.
The piece functions as a vibrant focal point within any exhibition environment.
Through the intensity of its color, precision of modeling, and emotional density, Sekitori : A Crimson Silent Strength stands as a remarkable work within the Wall Whispers series.
A compelling acquisition for collectors of contemporary Japanese art and Neo-Pop, especially those drawn to sculptures exploring material presence, inner tension, and the silent expression of movement.
Presentation
Ryoko Watanabe is a Japanese artist born in 1973 in Sapporo, Japan. He draws his inspiration from the cultural heritage of his region and from the power of Japanese stereotypes such as Sumotori, Geishas and Samourai Warriors. She exploits these subjects with talent and turns stereotypes to her advantage by exploiting their reputation in order to convey an artistic message. In the artist's work we can perceive a strong nostalgia and a desire to preserve the cultural heritage of Japan and its unique personages which are part of the country's history. In her paintings she depicts subjects such as the culture of her country with a unique technique that combines ancient Japanese elements with those of modern life in Japan. What is more striking than her choice of subjects such as the Sumotoris or the Samourais is where she places these subjects. Instead of placing them in traditional arenas or castles, they are placed on crowded streets, buses or in subway stations in an attemp to create a humorous contrast. Her technique consists in always putting her subjects on the foreground and in color, even if the background is left black and white. This way she draws attention to them and places them at the center of the viewer's attention. Since 2008, her work has been exhibited in numerous galleries all around the world.
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