Butterfly2 : Metamorphosis of Grace, 2009
Ryoko Watanabe  

Painting : oil · 150 x 170 x 5 cm 59.1 x 66.9 x 2 inch · Ready to hang

CHF 6,153 6 153 CHF
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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

150 x 170 x 5 cm 59.1 x 66.9 x 2 inch Height x Width x Depth

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Vetted seller since 2014

Description

Butterfly2 : Metamorphosis of Grace is a work of strong symbolic resonance by Ryoko Watanabe, deepening her exploration of transformation as an inner journey experienced within the density of contemporary urban life.
Part of the series Serenity Amidst Shadows : Geishas in the Monochromatic Urban Ensemble, the composition depicts a geisha seen from behind, standing at the center of a tightly packed crowd beneath the iconic signage of Ginza Station.
Here, visual hierarchy is reversed: the mass of commuters dominates the space, while the central figure asserts herself through stillness rather than scale.
The kimono, adorned with butterfly motifs, becomes a silent manifesto of metamorphosis, grace in transition, and evolving identity.
Watanabe avoids theatrical change, instead proposing transformation as gradual, internal, and restrained.
The geisha does not retreat from the crowd; she confronts it through composure and balance.
The surrounding black-and-white environment absorbs individual identities, forming a collective body shaped by repetition and flow.
At the center, color acts as a visual breath, a point of poetic resistance.
The butterfly, a universal symbol of passage and rebirth, stands in dialogue with the rigidity of the urban setting.
Ginza Station, a place of constant circulation and contemporary prestige, heightens the tension between social velocity and inner slowness.
Movement is omnipresent, yet the central figure remains immobile.
Her upright and contained posture suggests a transformation that is conscious rather than imposed.
The work questions how elegance and inner continuity can persist within a saturated, accelerated environment.
The crowd becomes a mental landscape rather than a physical threat.
The viewer’s gaze is drawn inward, toward the silent core of the composition.
This tension between immersion and isolation forms the emotional nucleus of the artwork.
As a major member of the Japanese studio CrazyNoodles, founded by Hiro Ando, Ryoko Watanabe develops a deeply human visual language within the Nippon Neo-Pop movement.
Her practice is distinguished by its ability to render invisible psychological shifts through ordinary urban scenes.
Butterfly2 : Metamorphosis of Grace extends this research with clarity and maturity.
Through the silent authority of its central figure, the symbolic density of its motifs, and the controlled tension of its composition, Butterfly2 : Metamorphosis of Grace stands as a significant work within the artist’s body of work.
A compelling acquisition for collectors of contemporary Japanese art and Neo-Pop, drawn to works that explore transformation, contained grace, and the persistence of identity within the urban collective.

Portrait

Everyday life

figurative

Train station

Geisha

Japan

Neo-Pop

Asian Pop

Red

Ryoko Watanabe, Butterfly2 : Metamorphosis of Grace
Japan  • 1973

Presentation

Ryoko Watanabe is a Japanese artist born in 1973 in Sapporo, Japan. He draws his inspiration from the cultural heritage of his region and from the power of Japanese stereotypes such as Sumotori, Geishas and Samourai Warriors. She exploits these subjects with talent and turns stereotypes to her advantage by exploiting their reputation in order to convey an artistic message. In the artist's work we can perceive a strong nostalgia and a desire to preserve the cultural heritage of Japan and its unique personages which are part of the country's history. In her paintings she depicts subjects such as the culture of her country with a unique technique that combines ancient Japanese elements with those of modern life in Japan. What is more striking than her choice of subjects such as the Sumotoris or the Samourais is where she places these subjects. Instead of placing them in traditional arenas or castles, they are placed on crowded streets, buses or in subway stations in an attemp to create a humorous contrast. Her technique consists in always putting her subjects on the foreground and in color, even if the background is left black and white. This way she draws attention to them and places them at the center of the viewer's attention. Since 2008, her work has been exhibited in numerous galleries all around the world.

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