Silhouette 11, 1993
Paolo Ambrosio  

Sculpture : wood · 100 x 70 x 5 cm 39.4 x 27.6 x 2 inch

€280 280 €
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Shipped from: France

Delivery to: Germany , € 25

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

wood , without pedestal

Dimensions ( cm • inch )

100 x 70 x 5 cm 39.4 x 27.6 x 2 inch Height x Width x Depth

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Credentials

Vetted seller since 2022

Description

Silhouette 11. The sign, the original principle of things, expands in me to become form in space. It has an architectural vocation. Through hidden paths, the epidermis of the body represents and nourishes the social status of the human.

The Silhouette 11 is fascinating and has some features that make it unique. The figure emerges with an interesting geometric cut creating a play of light and shadow that adds depth and mystery. It looks like a frame from a silent film and pushes the observer to give up the current dimension. The work captures an instant of beauty and mystery that goes beyond common time and space.

1970s

Bee

Accordion

Virginia Woolf

Silhouette

Italy  • 1938

Presentation

Ambrosio Paolo, after years of preparation, he moved towards painting with a fundamental gestural attitude and developed his own method which took advantage of the immediacy of the gesture-sign of IMAGE-ART.

In the canvas, as in a "court of words", the gesture activates the vibrations that bring into the world a reality suspended in time. The gesture draws its reality, penetrates its secrets and becomes aware of an underlying labyrinth. These gestures do not have in themselves the ambiguity of the gesture since they free themselves, in the dynamics of the work, from the traces of the movement of the hand.

IMAGE-ART is an artistic practice that has used the eye's ability to manage GESTURE since the 1970s. Ambrosio follows GESTURE in the footsteps of the hand movement where an expressive form emerges, a SIGN that gives freedom to GESTURE. In practice, GESTURE activates resources and allows the value of the SIGN to be transposed into the work.

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