Visayas N II (SG268), 2024
Sculpture : metal, jewelry · 40 x 30 x 3 cm 15.7 x 11.8 x 1.2 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
40 x 30 x 3 cm 15.7 x 11.8 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Description
Wall artwork in mother-of-pearl and oxidized sheet metal
Medium background
Black metal hoop
This artwork presents itself as a bold abstract painting, captivating in its simplicity and textural complexity. Its surface evokes a sense of serenity, captivating the eye with a subtle play of light and shadow. This variability in the reflection, thanks to the light, gives an impression of movement. The thin "fault" in oxidized sheet metal that separates the work symbolizes the fragility and beauty of imperfection.
The artist seems to invite the viewer to reflect on rupture and continuity, on the contrast between uniformity and individuality. The absence of bright colors allows the focus to be on texture, matter and light, offering an introspective and contemplative experience. This work stands out as a perfect example of textural minimalism, where each element is essential and meaningful.
Presentation
Born in 1964, Sylvie Guyomard is a plastic artist who, after having studied at the Beaux-Arts School in Paris, studied mural painting; she is also passionate about architecture.
Her creations are influenced by nature, she is interested in volcanic eruptions, in geology, in fossils; everything that involves the ?boiling? of the earth.
Sylvie Guyomard has worked in the beginning with inlays of materials to arrive today to something more ?zen?, all the while following her own path.
From her third project on, she has been using slate. She works with this material in order to show and use the light. The search for reflections, the strong contrasts, she goes from light gray to black , in some cases adding inlays to accentuate the mysterious side, reminding of icons a little.
Sylvie Guyomard likes the idea that the observer becomes an actor, that we can move around the work and be able to contemplate each angle and see the piece so differently from one place to another. For her, the light is part of the piece and it can make it evolve through the day and the seasons.
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