Âmes soeurs, 2023
Flora Gueton  

Sculpture : wood, Textiles, collage, assemblage · 50 x 42 x 3 cm 19.7 x 16.5 x 1.2 inch

$1,071 1 071 $US

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Shipping & delivery

Shipped from: France

Delivery to: United States , $ 144

Estimated delivery: One to two weeks

Free returns within 14 days, full refund

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 42 x 3 cm 19.7 x 16.5 x 1.2 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2022

Description

This captivating work presents a fascinating harmony between vintage photography and natural elements. At the center, two children's faces, printed in black and white, evoke nostalgia. A remarkable assemblage of shells, feathers, and wood floats delicately above, forming a mysterious silhouette. A vibrantly colored peacock eye overlooks the composition, adding an exotic and enigmatic touch. The golden oval frame accentuates the delicacy of the subject while adding a touch of sophistication. The natural textures blend skillfully with the faded paper, evoking the fragility of the passing of time. The handwritten inscription at the bottom adds a personal and poetic dimension, prompting reflection. This singular work juxtaposes different temporalities and materials, inviting a rich sensory and emotional experience, orchestrating a dialogue between past and present.

Portrait

Wall sculpture

Composition

Children

Faces

brown

Flora Gueton

France  • 1987

Presentation

A latecomer to the artistic world, Flora Guéton, a self-taught artist from Puy de Dôme, expresses herself through the materials she collects. Everything around her inspires her; she observes, feels, and imagines. Echoing a slow, painful but necessary personal metamorphosis, she finally allows herself to express the excess of a heightened sensitivity and her condition as a woman through her works.

Wood, fabrics, shells, old objects...worn, patinated, dented, piled up like second-hand treasures, she assembles them, lets them compose. Through poems, she continues to take the viewer to the depths of her characters.

A combination of perfectly imperfect materials, reflections of our human singularities, she works around time. A bridge; between the world before and the world after. Like a cabinet of curiosities, warmed by forgotten colors, a melancholy of times past emerges, the strong presence of our sacred heritage, and the trembling uncertainty of a mortal future.

A marriage of singular art and upcycling, without varnish and a minimum of fixatives, she leaves her work free to move, age and acquire a patina in a perpetual movement.

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