Elan sauvage, 2025
Olivier Bertrand  

Sculpture : cardboard · 30 x 15 x 45 cm 11.8 x 5.9 x 17.7 inch

5,000 - $ 10,000
Shipping & delivery

Shipped from: France

Delivery to: United States , $ 556

Estimated delivery: One to two weeks

Free returns within 14 days, full refund

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Verified Reviews : 9.6/10
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About the artwork

Type

Sculpture : Unique artwork

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

cardboard with steel pedestal

Dimensions ( cm • inch )

30 x 15 x 45 cm 11.8 x 5.9 x 17.7 inch Height x Width x Depth

Dimensions of pedestal:

40 x 11 x 1 cm 15.7 x 4.3 x 0.4 inch

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Vetted seller since 2016 • Top Seller

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This seller offers discount when you purchase multiple artworks.

Description

This sculpture depicts a rhinoceros in motion, crafted from raw materials that convey a sense of strength and vitality. The rough, irregular texture of the material evokes the power of nature and lends the work a striking realism. The artist has superbly captured the intensity and dynamism of the rhinoceros, frozen in an energetic pose, as if charging. The expressive details of the face and the robustness of the body demonstrate great technical mastery. Set upon a black base that accentuates its presence, the animal appears ready to spring, thus captivating the viewer's attention.

Animal

Rhinoceros

Animal Sculptures

Beige

France  • 1975

Presentation

Olivier Bertrand was born in Marseille in 1975, to a French father and an Asian mother. He became fascinated with drawing, visual arts and, more specifically, origami at a very early age.

“As far back as I can remember, I’ve always been captivated by the metamorphosis of a simple sheet of paper which, with a few smart folds, comes to life and sparks emotion."

After graduating with a Master’s in Economics and completing his studies, he finally chose to move into web design. 15 years on, he took advantage of a period of convalescence to go back to roots, to his first love. Although this time round he’s not folding pieces of paper, his mantra remains the same: and it’s cardboard that he works with a new twist. By assembling bits of cardboard together, he now creates extraordinarily-amazing life-sized animals.

“Cardboard offers a host of advantages; it’s ever-so easy to get hold of and it’s a light material which is perfectly workable for large-scale subjects… I really love the idea of creating using an everyday product, one which people throw out, get rid of, and of striving to make it desirable.

I enjoy scuplting animals, choosing them which radiate considerable power, rather contradictory actually at first glance given the fragility of the cardboard I use. Through this duality harmonizing the subject and its material, I try, in my own way, to sound the alarm bell as to the precariousness of animal species."

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