Always Watching 2: Surreal Eye Artwork in Beige, Black, and Silver Gray, 2026
Fine Art Drawings : pencil, marker, paper, collage · 27.8 x 20 x 0.1 cm 10.9 x 7.9 x 0 inch
$250
250 $US
Delivered in time for Christmas
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Shipped from: United States
Delivery to: United States , $ 20
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Verified Reviews : 9.6/10
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About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
27.8 x 20 x 0.1 cm 10.9 x 7.9 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Description
Always Watching 2: Symbolic Eye Artwork in Beige and Black
Surreal eye artwork offers an invitation to collect "Always Watching 2" (20 x 27.8 x 0.1 cm / 7.87 x 10.94 x 0.04 in) by Leah Larisa Bunshaft (Dizlarka). These measurements indicate width, height, and depth. Made with acrylic markers, pencils, handmade paper, and black cotton paper, this unique artwork brings warm beige fibers into contrast with black forms and silver-gray details. Repeated eyes encircle a slender figure whose open mouth and raised hands suggest alarm. Irregular edges add a physical vulnerability to the image.
The composition reflects a society in which observation never fully stops. Each person looks outward while knowing that another gaze may be directed back. Privacy becomes delicate, and the distinction between watching and being watched slowly dissolves. Surreal symbolism and expressive contours turn that idea into an immediate emotional encounter. Its compact vertical format suits a modern living room, creative workspace, or small gallery wall. For collectors who appreciate thoughtful imagery and tactile materials, it offers lasting interest and distinctive gift potential. The artwork is in perfect condition, hand-signed on the back, and supplied without a frame.
Presentation
Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.
Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.
Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.
Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.
Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?
Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.
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