Balloon rabbit (violet), 2019
Sculpture : Porcelain · 29.2 x 13.9 x 21 cm 11.5 x 5.5 x 8.3 inch
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Shipped from: France
Delivery to: United States , $ 2,104
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Sculpture : numbered and limited to 999 copies
1 copy available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Engraved signature
Technique & Support
Porcelain , without pedestal
Dimensions ( cm • inch )
29.2 x 13.9 x 21 cm 11.5 x 5.5 x 8.3 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024
Description
Limited edition of 999 copies.
Inspired by a rabbit-shaped balloon, Jeff Koons' (Violet) is a limited edition in highly reflective purple porcelain. The original sculpture, 2005–2010, weighs three tons and is over four meters tall; it is made of mirror-polished stainless steel coated with a clear varnish, and exists in five unique versions: blue, magenta, purple, red, and yellow.
But why a rabbit? Here's Koons's answer: "It comes from where I grew up, in rural south-central Pennsylvania. At certain times of the year, people would decorate their front yards with things like reindeer at Christmas. In the spring, around Easter, they'd put out inflatable rabbits. I was always struck by the generosity of neighbors who brought joy to others in this way. One of the things I'm most proud of is creating works that allow viewers to feel less intimidated by art and to feel that they can fully participate in the works on an emotional level, through their senses and their intellect."
The rabbit is a major figure in Koons' work, appearing for the first time in 1979 with [title missing], then with [title missing] (1986), a stainless steel work constituting the first representation of this subject with a highly reflective surface, also used for [title missing]. Thanks to the mirror-like surfaces created by Koons, the viewer becomes an essential element of the work and, in doing so, sees their personality affirmed.
Presentation
Jeff Koons, the most expensive living artist, is known for his provocative and monumental sculptures that redefine contemporary art. Born in 1955 in York, Pennsylvania, Koons studied at the Maryland Institute College of Art before briefly working as a stockbroker on Wall Street. This financial background shaped his strategic approach to the art market, transforming his creations into some of the most lucrative investments of the 20th and 21st centuries.
Deeply influenced by 1980s American Pop Art, Koons elevates everyday objects to the realm of fine art, redefining the "ready-made" concept. By transforming vacuum cleaners, basketballs, and kitsch pop culture icons into high-value artworks, he merges luxury, nostalgia, and mass appeal. His sculptures, such as the stainless-steel Popeye and the porcelain Michael Jackson and Bubbles, showcase his fascination with commercial aesthetics and mass production.
Koons gained widespread media attention in 1991 after marrying Italian pornographic actress Ilona Staller, known as Cicciolina. Their collaboration on Made in Heaven, an explicit series featuring the couple, caused a scandal and reinforced Koons's status as a cultural provocateur. His large-scale exhibitions, such as the controversial showcase at the Palace of Versailles in 2008 and a major retrospective at the Centre Pompidou in 2014, have further cemented his reputation. In 2019, his Rabbit sculpture sold at Christie's for $91 million, setting a record for the most expensive artwork by a living artist.
In recent years, Koons has continued to push artistic boundaries with major exhibitions. Shine at Palazzo Strozzi in Florence (2021-2022) explored the tension between illusion and reality, featuring iconic works like Rabbit (1986). Apollo at the DESTE Foundation's Project Space in Hydra, Greece (2022) created a dialogue between contemporary and ancient art through new sculptures and readymade objects. More recently, Reflections: Picasso/Koons at the Museo de Bellas Artes de Granada in Alhambra, Spain (2024-2025) juxtaposed Koons's work with that of Pablo Picasso, highlighting artistic connections across time.
Always at the forefront of innovation, Koons launched an unprecedented project in 2024 by sending 125 stainless steel miniature moon sculptures aboard a SpaceX rocket to the Moon, merging art with space exploration. Despite embracing technological advancements, Koons remains skeptical of artificial intelligence in art, emphasizing that AI should serve as a tool rather than replace human creativity.
Working from his Chelsea, New York studio, where a team of artisans produces his meticulously crafted pieces, Koons continues to dominate the contemporary art scene. His ability to merge high art with consumer culture, combined with his mastery of large-scale sculpture, ensures his place as one of the most influential artists of the 21st century.
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