Bronze Sculpture for Sale
Llorón, 2022
Sculpture : canvas, vegetal fiber · 61 x 50 x 3 cm 24 x 19.7 x 1.2 inch
$1,895
1 895 $US
One of the last works available by this artist
Shipping & delivery
Shipped from: Spain
Delivery to: United States , $ 122
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : Unique artwork
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
canvas , vegetal fiber , without pedestal
Dimensions ( cm • inch )
61 x 50 x 3 cm 24 x 19.7 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
This series explores the influence of technologies on the construction of gender, focusing especially on the process of differential socialization that takes place during childhood.
Through clear references to stuffed animals and children's dolls, as well as the construction of otherness, the work evokes the emotions (or their simulacra) and feelings we establish with these non-human beings that accompany us from an early age.
Due to their materiality, the paintings invite viewers to reach out and touch them. Upon physically interacting with the artwork, capacitive sensors embedded in the back are activated, triggering the playback of sounds extracted from our childhood toys.
When displayed on a wall, these paintings transform into objects of contemplation and reflection, offering multiple interpretations. Prominent among these are: the affective relationships formed in childhood with non-human beings that influence the development of behaviors linked to gender assigned at birth; and a process of estrangement linked to the figure of the monster, commonly present in male socialization processes.
Presentation
Pilar del Puerto (Plasencia, 1997) is an artist, researcher, educator, and curator. Her work lies at the intersection of conceptual art, gender perspectives, and new technologies, exploring the affective and material transformations emerging between humans and machines, with a special focus on artificial intelligence, gender construction, and ecology. Through various formalizations, she investigates how technologies reshape daily life, affectivity, and ways of inhabiting the world.
Graduated in Fine Arts, she completed a Master's in Art and Creation Research at UCM and a Master's in Contemporary Art History and Visual Culture at Museo Reina SofÃa, along with specializing in Gender Perspective in Cultural Industries and Equality Management. She completed research residencies at the Computational Design and Visualization Lab (University of Coimbra), the CNRS Gender and Sexuality Lab in Paris, and the Gino Germani Research Institute (University of Buenos Aires). She was a resident at the Colegio de España in Paris and Artist-in-Residence at Universidad Autónoma de Madrid with the MOBIOCHEM computational chemistry group. Her work has been exhibited in Spain, Canada, Croatia, Italy, Japan, and Turkey, and presented at fairs like JustMad and Hybrid.
She is the founder of the XenoVisual Studies collective, studying new visualities emerging from AI, and was part of the curatorial team at Medialab Matadero. Currently pursuing a PhD in Fine Arts at UCM exploring human-machine affective flows, she also teaches at the Creative Campus of Universidad Europea de Madrid.
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