Cloned Marmot with pet bottle, 2011
Sculpture : bronze · 36 x 26 x 20 cm 14.2 x 10.2 x 7.9 inch
$6,418
6 418 $US
Shipping & delivery
Shipped from: Sweden
Delivery to: United States Free delivery
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Verified Reviews : 9.6/10
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About the artwork
Type
Sculpture : numbered and limited to 8 copies
1 copy available
Condition
Artwork sold in perfect condition
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
bronze , without pedestal
Dimensions ( cm • inch )
36 x 26 x 20 cm 14.2 x 10.2 x 7.9 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Description
Signed, numbered 5/8.
Free shipment worldwide.
Acquired directly from the artist.
Free shipment worldwide.
Acquired directly from the artist.
Presentation
William Sweetlove was born in 1949 in Ostende, Belgium. Since 2003 he has been a member of the artists’ collective “The Cracking Art Group” in northern Italy.
As the physical medium that provides the basis for their works of art, the members use a type of plastic produced via a thermo-chemical reaction in crude oil. This reaction, known as “cracking” is also the origin of the group’s name. In their manifesto the Cracking Art Group call upon their members to spread a vision of the world suffused with elements of irony and ecological awareness.
To those, William Sweetlove adds the conviction that art must also be an antidote to overconsumption and overproduction. His paintings, sculptures and assemblages are his impressions of existence reproduced in materials such as polyester, animal hides and textiles. William Sweetlove shapes his own world.
As the physical medium that provides the basis for their works of art, the members use a type of plastic produced via a thermo-chemical reaction in crude oil. This reaction, known as “cracking” is also the origin of the group’s name. In their manifesto the Cracking Art Group call upon their members to spread a vision of the world suffused with elements of irony and ecological awareness.
To those, William Sweetlove adds the conviction that art must also be an antidote to overconsumption and overproduction. His paintings, sculptures and assemblages are his impressions of existence reproduced in materials such as polyester, animal hides and textiles. William Sweetlove shapes his own world.
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