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13 novembre - Libération
Karine Azoulay (1kazou)
Painting - 90 x 90 x 2 cm Painting - 35.4 x 35.4 x 0.8 inch
$1,683
What did we do
Guillaume Nicolaou
Painting - 120 x 60 x 4 cm Painting - 47.2 x 23.6 x 1.6 inch
$1,683
China. Peking. Cotton mill nursery
Eve Arnold
Photography - 30.5 x 40.6 x 5.1 cm Photography - 12 x 16 x 2 inch
$2,350
Orpheus and Eurydice (S)
Tyler Shields
Photography - 50.8 x 76.2 cm Photography - 20 x 30 inch
$5,000
Village in Snow - 7651203
Simeon Posen
Photography - 50.8 x 61 x 5.1 cm Photography - 20 x 24 x 2 inch
$3,350
Andres Alsina in Paris
Manuel Santelices
Fine Art Drawings - 27.9 x 27.9 x 0.3 cm Fine Art Drawings - 11 x 11 x 0.1 inch
$950
Untitled soft in white
Ronald Hunter
Painting - 80 x 80 x 2 cm Painting - 31.5 x 31.5 x 0.8 inch
$1,345
Contemporary portrait Entomological Collection
Nataliya Bagatskaya
Painting - 80 x 60 x 1.5 cm Painting - 31.5 x 23.6 x 0.6 inch
$1,458
As Far As You Can See
Eniafe Gbenga
Painting - 55.9 x 50.8 x 2.5 cm Painting - 22 x 20 x 1 inch
$1,350
Untitled 4
David Paul Kay
Fine Art Drawings - 16 x 16 x 0.1 cm Fine Art Drawings - 6.3 x 6.3 x 0 inch
$673
Untitled 3
David Paul Kay
Fine Art Drawings - 16 x 16 x 0.1 cm Fine Art Drawings - 6.3 x 6.3 x 0 inch
$673
Untitled 2
David Paul Kay
Fine Art Drawings - 16 x 16 x 0.1 cm Fine Art Drawings - 6.3 x 6.3 x 0 inch
$673
Monochrome Elegance - black white art
Anastassia Skopp
Painting - 90 x 90 x 2 cm Painting - 35.4 x 35.4 x 0.8 inch
$1,111
Minimal Forms 02
Poonam Choudhary
Painting - 91.4 x 91.4 x 3.8 cm Painting - 36 x 36 x 1.5 inch
$650
A glimpse into rural tranquility
Narek Qochunc
Painting - 24 x 30 x 2 cm Painting - 9.4 x 11.8 x 0.8 inch
$199
Orpheus and Eurydice (XXL)
Tyler Shields
Photography - 160 x 213.4 cm Photography - 63 x 84 inch
$50,000
Orpheus and Eurydice (L)
Tyler Shields
Photography - 101.6 x 152.4 cm Photography - 40 x 60 inch
$15,000
Dancer In The Dark (XXL)
Tyler Shields
Photography - 160 x 213.4 cm Photography - 63 x 84 inch
$50,000
Dancer In The Dark (L)
Tyler Shields
Photography - 101.6 x 152.4 cm Photography - 40 x 60 inch
$15,000
Dancer In The Dark (S)
Tyler Shields
Photography - 50.8 x 76.2 cm Photography - 20 x 30 inch
$10,000
A view of the Park
Manuel Santelices
Fine Art Drawings - 35.6 x 27.9 x 0.3 cm Fine Art Drawings - 14 x 11 x 0.1 inch
$1,100
Before the storm
Serhii Cherniakovskyi
Painting - 80 x 90 x 2.5 cm Painting - 31.5 x 35.4 x 1 inch
$1,500
Minnie white Splash
Xavier Wttrwulghe
Sculpture - 30 x 17 x 25 cm Sculpture - 11.8 x 6.7 x 9.8 inch
$1,515
Kara et ses oreilles
Fatoumata Diabaté
Photography - 100 x 66 x 2 cm Photography - 39.4 x 26 x 0.8 inch
$3,366
Seems Heavy, There's Help
Kpe Innocent
Painting - 100 x 100 x 5 cm Painting - 39.4 x 39.4 x 2 inch
$6,731
Le blanc mis en scène
Marie-Odile Wagner
Painting - 50 x 50 x 2 cm Painting - 19.7 x 19.7 x 0.8 inch
$505
A Pulp Fiction pop art tribute
Patrick Cornée
Painting - 120 x 120 x 3 cm Painting - 47.2 x 47.2 x 1.2 inch
$5,497
White Flower / Fleur Blanche
Vinciane Closset
Painting - 90 x 90 x 2 cm Painting - 35.4 x 35.4 x 0.8 inch
$1,739
The Times of Love
Yasna Godovanik
Painting - 100 x 70 x 2 cm Painting - 39.4 x 27.6 x 0.8 inch
$1,402
Queue de Baleine - Sculpture Raku animal marin
Naïg Oulhen dite AbeRaku
Sculpture - 42 x 45 x 26 cm Sculpture - 16.5 x 17.7 x 10.2 inch
$1,374
Peinture 11-2023-70
Alain Bécanne
Painting - 100 x 150 x 4.5 cm Painting - 39.4 x 59.1 x 1.8 inch
$1,683
Palazzo Grimani, Male Center
Magda Von Hanau
Photography - 121.9 x 81.3 x 0.3 cm Photography - 48 x 32 x 0.1 inch
$4,000
Un autre visage
Éric Dabancourt
Fine Art Drawings - 30 x 40 x 2 cm Fine Art Drawings - 11.8 x 15.7 x 0.8 inch
$404
The Swan Lake of Love
Yasna Godovanik
Painting - 100 x 70 x 2 cm Painting - 39.4 x 27.6 x 0.8 inch
$1,402
Guggenheim Museum, New York
Peter Neusser
Photography - 87 x 122 x 0.1 cm Photography - 34.3 x 48 x 0 inch
$3,590
White
In physics, white is the sum of all the colours. To the human eye, white appears to be the total absence of colour. Amongst artists, white and its many uses in art are continuously evolving and challenging those who would embrace them. Is white, then, a non-colour, or an enhancer of colours? Intangible or material? Absence or excess?
Since Antiquity, white has been appreciated for its symbolic value. In Ancient Greece, where they would paint their statues, it was a sign of incompletion, whereas the Romans believed it showed pomp and imperialist virtue. With the rise of Christianity, white was used in opposition to black in order to emphasise moral dichotomies: the pure, divine white against the darkness. In some cases, however, white was used to show sickness or death, most notably in the pallid representations of the skeletal, crucified Christ.
In the Renaissance white was used to sublimate faces and backgrounds. Da Vinci even based his sfumato technique on the soft transition from light into darkness. Throughout the history of painting, white was considered precious for its ability to reflect light. It attracts the gaze even when used in the tiniest quantities, and illuminates the subject, drawing out stunning contrasts as seen in the works of Rembrandt, or in Vermeer's famous Girl with the Pearl Earring.
With the rise of Impressionism, white was used as the brightest tone amongst shades of grey. While Manet produced canvases which were forerunners to monochromes, including The Reader, which was almost pure white, Monet delivered a stunning gradient of whites whilst recreating the snow at his home in Giverny. The first true white monochrome appeared with the arrival of Malevitch's White Square on a White Background. The artist said 'I have broken the blue boundary of colour limits, and come out into the white'.
Modernists were equally passionate about white and valued it incredibly highly. Miro in particular questioned the status of white on canvases. In his painting Woman, Bird and Star white is in parts boldly painted, but is also distinctive for its absence around the star. Picasso, on the other hand, explored white in conjunction with his famous coloured periods. Piero Manzoni became famous thanks to his 'achromatic' paintings, a series of canvases produced exclusively in shades of white. Moving into the 20th century, white became synonymous with minimalist abstraction. For artists like Kandinsky, white was a cosmic colour, associated with a spiritual search for the absolute, guiding the artists as he seek to express his emotions.
Today, white remains an ever popular subject. Roman Opalka made his name creating a series of white numbers of a white background, while Daniel Arsham reinvents white walls in galleries by letting his artwork drip down onto them. White is a colour with multiple symbolic interpretations. The colour of divinity or humility; of purity and immaculate, of emptiness and absence, but always colour. If blue has Klein and red has Rothko, it appears that no artist has yet succeeded in fully mastering white – but maybe you'll find them in our selection!