Bronze Sculpture for Sale
Close Before Striking VI, 2014
Painting : Watercolour, lead mine, collage · 50.8 x 40.6 x 0.3 cm 20 x 16 x 0.1 inch · Ready to hang
€892
892 €
Shipping & delivery
Shipped from: United States
Delivery to: France , € 273
Estimated delivery: One to two weeks
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Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour, lead mine, collage on cotton paper
Dimensions ( cm • inch )
50.8 x 40.6 x 0.3 cm 20 x 16 x 0.1 inch Height x Width x Depth
Artwork dimensions including frame
61 x 50.8 x 2.5 cm 24 x 20 x 1 inch
Sold by
Credentials
Vetted seller since 2019 • Top Seller
Description
Close Before Striking VI, 2014 Image size: 20 in. H x 16 in. W Frame size: 24 in. H x 20 in. W x 1 in. D Collage, watercolor, and graphite Mounted on a white frame.
This artwork is a compelling mixed-media piece featuring four portraits arranged in a grid format on a textured, ochre-colored background. Each face is a striking combination of paint, collage, and marker, presenting a blend of photographic realism and abstract elements. The eyes of each portrait are accentuated with bold, colorful horizontal lines, which draw attention and suggest a deeper narrative. In the top left corner, the portrait is labeled "Martha." The eyes are obscured by a vivid blue line, and the area is accompanied by handwritten text: "She believes her fate is written," suggesting themes of determinism and introspection. To the right is "Pedro, 1955," featuring a weathered face with a yellow line traversing the eyes. The text, "He will never speak to his son," hints at familial estrangement and unresolved tension. The bottom left portrait shows another face with a scarlet red line across the eyes. The inscription reads, "He had a vision where he was floating away to the open sea," evoking a sense of escapism and yearning for freedom. The final portrait, in the bottom right, depicts a face with a black line over the eyes. The accompanying words, "He liked the metallic taste of blood in his mouth," suggest a visceral, perhaps darker aspect of human experience. Overall, this artwork combines visual and textual narrative elements that explore complex themes of fate, estrangement, escapism, and visceral human experience. The use of color and text not only adds depth but also invites viewers to delve into the underlying stories of each character, making the piece both thought-provoking and emotionally resonant.
Presentation
Roberto Fonfría lives and works in Miami, Fl. He was born in Caracas, Venezuela in 1969. Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critic eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines, advertising and photo albums collected at thrift stores. By extracting them from their natural context, he reconstructs them by adding references to popular culture as well as common phrases and insights that come from his Venezuelan childhood.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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