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Léonard Foujita, Propos d'un Intoxiqué

Léonard Foujita Propos d'un Intoxiqué, 1928

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Léonard Foujita, Propos d'un Intoxiqué
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Informations about this artwork
  • Medium

    Print : lithography

  • Dimensions cm | inch

    11.1 x 8.9 x 0.2 inch

  • Support

    Print on paper

  • Framing

    Not framed

  • Type

    Numbered and limited to 97 copies
    1 remaining copy

  • Authenticity

    Work sold with an invoice from the gallery
    and a certificate of authenticity

  • Signature

    Plate signed

  • Offered by the gallery

    Wallector Srl
    Rome - Italy

  • About the artwork

    Artwork sold in perfect condition

    Image dimensions: 20 x 15.2 cm.

    After Leonard Tsuguharu Foujita Lithographic reproduction in colors, from the set of sixteen illustrations from Propos d’un intoxiqué, by Jules Boissière. Published by Javal & Bourdeaux, 1929, printed by Atelier Gaston Prost. The book was published in an edition of 97. Signed on plate on lower left margin.

    A beautiful and sensual girl with hair in the wind has just put away the musical instruments and gets carried on a typical Japanese boat by a maid: this is an amazing modern artwork with an incredible vivacity.

    With bright colors, our specimen from a limited edition, in excellent conditions, and with the recognizable sign of the master Foujita is the perfect piece for your precious private collection, only for connoisseurs!

    "Léonard Foujita, Image et Parole", Meguro Museum of Art, Tokyo, 1988-1989, n. 28

    Catalogue of the "Léonard Foujita, Image et Parole", Meguro Museum of Art, Tokyo, 1988-1989, n. 28

    Catalog Sylvie Buisson, under the reference 28-205 (volume II, page 552)
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Léonard Foujita

Japan Born in: 1886 Famous artist

The Lewis Caroll of painting. This is how Jean Cocteau used to call Master Léonard Foujita Tsuguharu, referring to the naive side of some of his works. He is one of the most famous artists of the Roaring Twenties (1920-1929), both in style and by his sense of fun and his friendships with leading artists of the time, such as Picasso, Derain, Apollinaire, Modigliani, Soutine, Van Dongen, Chagall, Pascin, Zadkine and in general with all the artists who were part of the School of Paris at its beginnings.

He was a master of the brush stroke: influenced by Michelangelo, Poussin and Rodin, Tsuguharu Fujita is successful with his personal style, his shiny white backs that catch the light and the subtle contours in black ink of his subjects. Steeped in European modernity, he will retain a sober and Eastern accuracy, combining "the rigor of Japanese relating to freedom of Matisse," as he said himself. After his baptism, he will prénommer Leonardo, as a reference to Leonardo da Vinci.

Painter and printmaker, Leonard Foujita was also a draftsman, illustrator, sculptor, ceramist, photographer, filmmaker, designer fashion, designer ...

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Léonard Foujita, Propos d'un Intoxiqué
Léonard Foujita, Propos d'un Intoxiqué Léonard Foujita, Propos d'un Intoxiqué