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Vladimir Velickovic

Saint-Malo 1944, 2018

Edition : impression digitale 45 x 31 cm

590 €

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Vladimir Velickovic, Saint-Malo 1944

À propos de l'œuvre

Œuvre vendue en parfait état

Présenté le 23 juin 2018 à Saint-Malo (Ille-et-Vilaine), ce portfolio a été créé pour l'exposition "Vladimir Velickovic. L'œuvre au noir", par Cristel éditeur d'art. Il rassemble deux estampes originales de Vladimir Velickovic : un dessin/collage représentant les bombardements dont fut victime Saint-Malo en 1944 ainsi qu'un texte.
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À propos du vendeur
Galerie d’art professionnelle • Saint-Malo, France

Vendeur Artsper depuis 2016

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Technique
Edition: impression digitale
Dimensions cm inch
45 x 31 cm
Encadrement
Non encadrée
Tirage
Œuvre numérotée et limitée à 60 exemplaires
10 exemplaires disponibles
Authentification
Œuvre vendue avec facture de la galerie et certificat d’authenticité
Signature
Oeuvre signée à la main
Couleurs

Gris

Tags

Ailes

Oiseaux

Personnage

Livraison dans le monde entier

L'œuvre est disponible en retrait en galerie à Saint Malo, France ou peut être livrée à l'adresse de votre choix dans moins d'une semaine après validation de votre commande. L'œuvre est assurée pendant le transport, il n'y a donc aucun risque pour vous.
Provenance de l’œuvre: France En savoir plus sur la livraison

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Découvrez les œuvres en édition de Vladimir Velickovic
Vladimir Velickovic

Vladimir Velickovic

Serbie • Né(e) en: 1935

Artistes Émergents

Dessinateurs célèbres

Illustrations sombres détaillées

Artistes Peintres

Artistes Éditions

Artistes Dessinateurs

Artistes Serbes

En 1960, Vladimir Velickovic sort diplômé de l'école d'architecture de Belgrade. Il se destine en fait à la peinture et réalise sa première exposition personnelle en 1963.

Après son prix de la Biennale de Paris, en 1965, il s'y installe l'année suivante et y vit encore aujourd'hui. Il est avec Dado et Ljuba Popovic, artistes de la même génération, l'un des trois principaux peintres yougoslaves à être venu en France.

Il aura représenté la Yougoslavie à la Biennale de Venise de 1972 ; et de 1983 à 2000, il sera chef d'atelier à l'École nationale supérieure des beaux-arts de Paris et y tiendra un siège important. Témoin, dans son enfance, des atrocités commises par les nazis en Yougoslavie, Vladimir Velickovic exprime, par la peinture, la douleur et la violence de cette mémoire.

Au début des années 1960, il détermine les thèmes qui figureront de manière permanente dans son œuvre. Il peint des hommes ou des animaux (le plus souvent des rats ou des chiens) ou des peintures de vanités dont les corps sont confrontés à des situations dramatiques et terrorisantes.

À partir de 1972, il réalise des séries de peintures et de dessins inspirées des photographies d'Eadweard Muybridge (séries des "Descentes" [1989–1991] et des "Crochets" [1983–1991]). Il "tente avant tout de laisser une cicatrice" dans la mémoire du spectateur du tableau.

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Autres œuvres de Cristel Editeur d'Art
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