Self-Portrait with Thorn Necklace and Hummingbird, 2025
Frida Kahlo   Master Artists

Design : digital print · 80 x 60 x 2 cm 31.5 x 23.6 x 0.8 inch

€665 665 €
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Shipped from: Spain

Delivery to: France , € 45

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About the artwork

Type

Design : Open edition

Condition

Artwork sold in perfect condition

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

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Technique & Support

Dimensions ( cm • inch )

80 x 60 x 2 cm 31.5 x 23.6 x 0.8 inch Height x Width x Depth

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Description

Date of creation: 2025

Medium: Digital print on Canadian maple wood

Edition: Open

Size: 80 x 20 cm (each skate)

Condition: In mint conditions and never displayed

This triptych is formed by three skate decks made of 7 ply grade A Canadian maple wood.

A steady gaze, a crown of thorns, a lifeless hummingbird hanging like an exotic jewel: Frida Kahlo doesn't just paint a portrait—she paints a manifesto.

In (1940), the artist transforms pain into ornament, and suffering into symbol. Surrounded by Mexico's lush flora and flanked by silent creatures—a mischievous monkey and a watchful cat—Frida appears as a stoic, almost mystical figure whose beauty is anything but pleasing; it's defiant.

The black hummingbird hanging from her neck, far from being a symbol of joy, becomes a clever irony: life suspended, worn like an amulet. The thorns pierce her skin without apology—raw and real, like art that doesn't ask for permission. And yet, nothing here is gratuitous; it's sharp-edged visual poetry. A wounded elegance, yes—but one that stands tall.

This is Frida in her purest form: nature and symbol, tragedy and theatre, pain and design. Because in her world, even suffering knows how to dress.

Frida Kahlo

Mexico  • 1907  - 1954
169 followers

Presentation

Frida Kahlo is one of the most prominent figures of twentieth-century art! Her self-portraits and her life story have touched millions of art lovers.

Born in Mexico in 1907, Kahlo's complicated childhood foreshadowed the many tragedies she would suffer later in life. At the age of six, she fell ill with poliomyelitis. In 1925, she was involved in a severe bus accident: impaled on a metal bar, she was paralysed and bedridden for several months. During the long period of recovery, she painted her own reflection that she could see in the mirror above her bed.

In 1928, after Kahlo regained her health, she joined the Communist Party and met the painter Diego Rivera. They fell in love and married in 1929. The couple then moved to San Francisco. Unfortunately, Kahlo suffered two miscarriages. This new tragedy fuelled her creativity and further self-portraits. Kahlo created some of her most famous works during this time: “A Few Small Nips" (Unos Cuantos Piquetitos) and “The Flying Bed" (La Cama Volando), in which she depicts the traumatic events.

In 1938, after returning to Mexico, Kahlo met some of the most prominent surrealist painters: André Breton, Max Ernst, Marcel Duchamp, and many others. She became close friends with André Breton's wife, Jacqueline Lamba, who helped Kahlo conquer the art world. Frida Kahlo began exhibiting her work in New York and was tremendously successful: all her paintings were sold!

Unfortunately, this period of prosperity was clouded by her divorce (she remarried Diego Rivera in 1940), but also by the reappearance of effects linked to her accident. Her right leg had to be amputated.

Kahlo died at the age of 47 due to pneumonia. She left behind several masterpieces: 143 paintings, mainly small in size, which depicted the artist on her own, with family, or surrounded by animals.

Kahlo immortalised her physical suffering through powerful symbols: animals that represent the children she was unable to conceive or thorns cutting her throat to show that a human being can bear more than he thinks. Her paintings also contain Christian symbols, symbols that represent suffering, symbols relating to the search for identity, and many others.

As an artist and painter, Kahlo drew inspiration from the defining moments in her life, such as her abortion, her sexuality, and her physical and mental suffering.

Her works have been displayed at the Grand Palais in Paris, the MoMA in New York, and the San Francisco Museum of Modern Art. They have marked the History of Art.

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