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Diaqualune n°5, Circa 2019
Stéphane Belzère  

Fine Art Drawings : Watercolour · 40 x 40 x 1 cm 15.7 x 15.7 x 0.4 inch · Ready to hang

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Verified Reviews : 9.6/10
About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

40 x 40 x 1 cm 15.7 x 15.7 x 0.4 inch Height x Width x Depth

Artwork dimensions including frame

43 x 43 x 1 cm 16.9 x 16.9 x 0.4 inch

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Vetted seller since 2015 • Top Seller

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This seller offers discount when you purchase multiple artworks.

Description
This artwork is part of the "Diaquarelles" series, based on family and publicity slides collected from relatives, friends or anonymous people. For a few years, Stéphane Belzère explores the aesthetic of slide films, now abandoned and replaced by digital images, in which he continues his work on transparency and color. In these watercolors, the plastic frames and their annotations are as important as the compositions and the subjects of the slides. The whole series offers a subjective panorama of a bygone world.

Landscape

From the sky

figurative

Astronomy

Moon

Stéphane Belzère, Diaqualune n°5
France  • 1963

Presentation

Son of painters Jürg Kreienbühl and Suzanne Lopata, Stéphane Belzère shows a strong interest in the preservation of flesh, the food production, the anatomical forms and the representation of body. 

In the National Museum of Natural History in Paris, he painted the brains and organs of animals preserved in formalin jars. Source of attraction and repulsion, this obsessional motif offers the possibility of a dialogue between the flesh and the material of the paint. A meticulous observation of the sediments deposited in anatomical preparation jars is at the origin of the "Long paintings"; the strata of disintegrated materials, enlarged by the magnifying effect of glasses, evoke indifferently glacial and inner landscapes, real and imaginary worlds, between figuration and abstraction. Simultaneously, he has never ceased to deal with human figure, like for example his series of 700 intimate self-portraits, called "Nocturnal reflections", executed through the reflection of his kitchen window of his Berliner studio. 

Graduated from the Beaux-Arts de Paris, he has been the recipient of several prizes and his research on transparency has also led him to be commissioned stained glass windows for the Rodez Cathedral. His work is part of many public and private collections: Kunstmuseum Basel, FRAC Île-de-France, Strasbourg Museum of Modern and Contemporary Art, Daniel & Florence Guerlain Contemporary Art Foundation, Edouard and Maurice Sandoz Foundation…

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