Quiet States - 2: Dynamic Red & White Abstract Woman Artwork, Oil on Paper, 2026
Fine Art Drawings : oil · 38.5 x 27 x 0.1 cm 15.2 x 10.6 x 0 inch
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Shipped from: Spain
Delivery to: United States , $ 39
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Verified Reviews : 9.6/10
About the artwork
Type
Fine Art Drawings : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
38.5 x 27 x 0.1 cm 15.2 x 10.6 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Description
Discover "Quiet States - 2," a dynamic original artwork crafted with oil on paper, measuring 40x30 cm. This piece is a vibrant part of the "Quiet States" series, an intriguing dive into the nuanced emotional landscape of a woman. Executed with bold, semi-abstract strokes in a powerful palette of reds and whites, it captures the often-unseen quiet movements of the soul: the delicate dance of desire, the soft hum of anticipation, and the quiet strength found in vulnerability. The artwork's deliberate obscuring of the face shifts the narrative from identity to pure feeling, inviting an intimate connection with the subject's inner rhythm.
This artwork is perfect for those looking to infuse their contemporary interior design with a piece that offers both visual impact and profound meaning. Its striking colors and modern aesthetic make it an ideal choice for a sophisticated living room, a minimalist office, or as a unique focal point in a stylish bedroom. Beyond its aesthetic appeal, it's a thoughtful and distinctive gift, celebrating the layered complexity of female identity and modern emotional survival. Elevate your space with this captivating artwork that serves as both decoration and a powerful statement.
Presentation
Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.
Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.
Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.
Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.
Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?
Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.
Reviews from our customers
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