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Red Theads | Symbolic Black Red Figurative Diptych, 2026
Dizlarka   Best sellers

Fine Art Drawings : Watercolour, pencil, ink, pastel · 27.8 x 40 x 0.1 cm 10.9 x 15.7 x 0 inch

€420 420 €
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Shipped from: Spain

Delivery to: Germany , € 46

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Fine Art Drawings : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

27.8 x 40 x 0.1 cm 10.9 x 15.7 x 0 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

Fragile human figures connected by red threads of destiny.

This contemporary diptych artwork explores invisible human connections through expressive abstract figures and delicate red lines that move across the composition like veins, roots, or threads of fate. The striking contrast of black, white, and crimson creates a powerful emotional presence while maintaining a refined minimalist aesthetic.

Created using ink, pencil, pastel, and watercolor on paper, the artwork examines memory, transformation, identity, and the shared experiences that connect us. Ideal for collectors of symbolic contemporary art and for interiors seeking meaningful conversation pieces. A thoughtful gift for art lovers, creatives, psychologists, and anyone drawn to emotionally resonant artwork.

Nude

Human body

Femininity

Lines

Diptych Artworks

Black

Red

Dizlarka, Red Theads | Symbolic Black Red Figurative Diptych

Dizlarka

Spain  • 1983

Presentation

Dizlarka, the artistic name of Leah Larisa Bunshaft, is a multidisciplinary contemporary artist whose practice examines femininity, feminism, motherhood, vulnerability, identity, personal boundaries, and the social structures that shape women's lives.

Working across painting, drawing, photography, printmaking, sculpture, and installation, Dizlarka treats material as an active part of meaning. Textiles, glass, concrete, photographs, found objects, threads, masks, and domestic or bodily references create tensions between protection and exposure, beauty and pressure, fragility and resistance.

Much of her work begins with female experience. She is particularly interested in the roles women are expected to perform — caring, organizing, adapting, nurturing, remaining desirable, absorbing emotional labor — and in how these expectations can become so normalized that they are no longer seen.

Her project My Borders explores personal, psychological, bodily, and social boundaries through a predominantly red visual language. Female figures, threads, masks, heels, and symbolic objects become ways of examining control, autonomy, expectation, and self-definition.

Dizlarka's work does not present vulnerability as the opposite of strength. Instead, the two continually coexist. Personal experience becomes a starting point for questions that extend beyond autobiography: what do we carry because we choose to, and what have we simply been taught to carry?

Her work has been exhibited internationally in the United States and Europe, including presentations at MoRA Museum in New York and museum exhibitions in Italy.

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