Bronze Sculpture for Sale
Painting : collage, mixed media · 72 x 50 x 1 cm 28.3 x 19.7 x 0.4 inch
Shipped from: Mexico
Delivery to: France , € 53
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
72 x 50 x 1 cm 28.3 x 19.7 x 0.4 inch Height x Width x Depth
Art gallery
Credentials
Vetted seller since 2023 • Top Seller
Gato Pop obra de Zeta Yeyati a vibrant feline echo of color and memory
Gato Pop obra de Zeta Yeyati emerges as a visual statement where humor, urban sensibility, and emotional closeness intersect in a composition full of vitality. At the center stands a cat rendered with confidence and warmth, an unmistakable focal point that commands attention. This Gato Pop transcends its animal form to become an emblem of the everyday, transformed through the artist's distinctive vision. Created on paper in a 50x70cm format using mixed media such as acrylic, stencil, and collage, the work layers ornamental details, splashes of paint, and overlapping planes to generate movement and depth. The chromatic range of red, yellow, white, and black recalls the visual language of comics and street culture, infusing the piece with immediacy and rhythm. As throughout Yeyati's practice, a clear philosophy underpins the image: the act of converting discarded materials into poetic symbols. Gato Pop obra de Zeta Yeyati reframes the ordinary, suggesting that what was once overlooked can be reshaped into something visually and emotionally powerful.
Early gestures that shaped a singular way of seeing
From an early age, Zeta Yeyati engaged with form and material through an intuitive sensitivity that extended beyond formal instruction. Born in Burzaco in 1965, his first creative explorations unfolded through drawing and hands-on work with wood, long before music entered his expressive universe. Today, his visual art remains grounded in the poetic reuse of recycled elements. This outlook, which uncovers aesthetic and emotional value in what has been cast aside, is essential to understanding his work. Yeyati transforms forgotten objects into visual stories that resonate with intimacy, imagination, and emotional depth.
Gato Pop obra de Zeta Yeyati a visual language forged at the edges
Gato Pop obra de Zeta Yeyati clearly reflects the way the artist constructs imagery from the margins of convention. Self-taught by conviction and driven by curiosity, Yeyati passed through the workshops of artists such as Pujía, Ferrari, and Aisemberg while maintaining complete creative independence. His process moves freely across ceramics, assemblage, collage, and graphic intervention, allowing materials to guide form. In Gato Pop, urban remnants and found objects come together to shape a character defined by essential lines, an expressive gaze, and a style that oscillates between comic aesthetics and expressive painting. Gesture outweighs strict representation, and a subtle humor permeates the scene, opening portals to imagined worlds where fantasy and reality coexist. Layered surfaces, tactile effects, and assertive color choices reveal how hybridity lies at the core of Yeyati's visual identity.
Between playfulness and reflection redefining the familiar
Gato Pop obra de Zeta Yeyati offers more than a charming image, it elevates it into a symbolic presence. Within Yeyati's visual universe, simplicity meets complexity, discarded matter meets value, and personal expression intersects with collective experience. This work reminds us that art can challenge norms, rescue meaning, and propose new ways of looking. The cat, fixed at the center, returns the viewer's gaze with irony and tenderness, as if guarding an unspoken truth. Through inventive composition and a strong ethical stance, Zeta Yeyati turns each mark into an invitation to pause, imagine, and uncover beauty where others may not think to look. It is within the balance of play and critique that his work speaks most clearly.
Zeta Yeyati (Burzaco, 1965) is a visual artist who has transformed recycling into a poetic language and forgotten matter into an act of aesthetic redemption. While the public has come to know him as a musician in projects like Los Intocables, La Mississippi, or Babel Orkesta, his true creative roots lie in the visual arts. Visual expression was his first terrain. Before the chords came drawing. Before the stages came interlocked tree trunks.
A restless and sensitive autodidact, Yeyati attended workshops with figures such as Antonio Pujía, León Ferrari, and Diana Aisemberg, yet his work doesn't follow any formal school. He moves freely between ceramics, collage, stencil, and assemblage. His aesthetic is nourished by what others discard: street posters, scraps of iron, furniture legs, bronzes, and aged wood. A dumpster was his first museum. Then came flea markets, where he continues to collect remnants for his unique pieces.
In his works, dogs, birds, musicians, queens, horses, and magicians coexist, as if each figure emerged from a story older than the object itself. His repertoire is populated by characters that rise from the collage with the force of a lucid dream. He does not seek to imitate reality but to reincarnate fragments of it. As curator Rodrigo Alonso described, his art is a “vital philosophy" — a gesture that defies consumerism and embraces the possibility of reviving the forgotten.
Color —present with striking intensity in his recent work— arrived through an internal shift: his encounter with Milo Lockett, which not only redefined his palette but also his way of sharing his universe. Since then, Yeyati's work pulses with a more playful energy, without losing its symbolic depth.
Yeyati does not merely create images —he builds an emotional archaeology from the remnants of everyday life. Each work is a story made of time, memory, and waste; a rescue act that restores humanity to matter. From that gesture —profoundly plastic and profoundly human— his art speaks to those willing to look beyond the surface.
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