Et Dieu créa la femme, 2025
Emilie Pannier  

Painting : oil, acrylic, paper · 50 x 50 x 3 cm 19.7 x 19.7 x 1.2 inch · Ready to hang

€700 700 €
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Shipped from: France

Delivery to: France , € 20

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

50 x 50 x 3 cm 19.7 x 19.7 x 1.2 inch Height x Width x Depth

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Vetted seller since 2020 • Top Seller

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Description

A figure crosses the stage like a breath in the tumult.

In the foreground, a woman walks with a purposeful, almost choreographed stride, detached from the visual clamor surrounding her. Her gait is elegant, understated, almost silent—a striking contrast to the explosion of colors behind her. She seems to glide rather than walk, as if the ground belonged to her.

Behind her, the wall vibrates. Overlapping graffiti, jagged words, shattered letters—a raw, urban, almost unruly energy. Colors clash: vivid reds, saturated greens, electric blues. Chaos becomes language, an instinctive, free-flowing form of writing that tells the unfiltered story of the city.

And then this detail: “AUTHORISED GRAFFITI AREA".
Like an attempt to control the unruly. To tame what, by its very nature, eludes control.

Between control and spontaneity, between order and excess, the scene captures a suspended moment — the one where the individual traces his own line, amidst the noise of the world.

Emilie Pannier, Et Dieu créa la femme
France  • 1979
73 followers

Presentation

Émilie Pannier, born in 1979, is a contemporary French painter whose work lies at the crossroads of genre painting, urban landscape, and social observation.

Her canvases unfold like a theater of everyday life, where fragments of existence captured in the moment play out. In these seemingly insignificant instants, she reveals a discreet, almost suspended poetry, showing what the hurried eye no longer perceives. Her work is rooted in the tradition of genre painting, while profoundly renewing its conventions through a resolutely contemporary and sensitive approach.

Working in series, Émilie Pannier has built a veritable repertoire of images, each a witness to our time. While her compositions bear the obvious marks of the present, they engage in a subtle dialogue with art history. By invoking ancient references and blending them with her contemporary scenes, she forges a link between different temporalities, reminding us that the present is always constructed in echo of the past.

The female figure occupies a central place in her work. Free and autonomous, her characters evolve in open, universal spaces where boundaries seem to disappear. They embody a strong, silent yet powerful presence, inscribed within the flow of the city.

In a world saturated with images and information, Émilie Pannier champions painting as an act of resistance. Through it, she seeks to suspend time, to capture the ephemeral with precision and intensity. She reveals the hidden beauty of urban structures, capturing subtle movements and the invisible tensions that permeate the city.

His work is based on a subtle mastery of color and light, which gives each canvas a unique atmosphere. Each work thus becomes a window onto reality, a space for contemplation where humanity, architecture, and time meet.

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