Bob l’éponge sur le pont Michael Ange, 2022
Emilie Pannier  

Painting : oil, paper · 55 x 46 x 4 cm 21.7 x 18.1 x 1.6 inch · Ready to hang

€650 650 €
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Shipped from: France

Delivery to: Spain , € 40

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

55 x 46 x 4 cm 21.7 x 18.1 x 1.6 inch Height x Width x Depth

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Description

A scene suspended between two worlds.

On the wall, a fragment of eternity—those almost divine hands, frozen in the instant of a contact that never occurs—is suddenly diverted, rewritten. Where history whispers of creation, an unexpected, almost insolent presence emerges: a pop figure, naive, luminous, as if fallen from another time. It desacralizes, it plays, it smiles.

Below, life goes on. A woman crosses, absorbed, perhaps indifferent to this silent dialogue between past and present. Her step is real, her shadow anchored. Beside her, a cat glides by, discreet, a furtive witness to this visual collision.

Everything here is a gentle tension: between the sacred and the trivial, history and the street, memory and the moment. The gaze oscillates, hesitates, plays.

And in this discrepancy, something strangely right appears: as if the world, too, had become a collage — where the icon and the everyday coexist without ever truly understanding each other, but without ever leaving each other.

Emilie Pannier, Bob l’éponge sur le pont Michael Ange
France  • 1979
74 followers

Presentation

Émilie Pannier, born in 1979, is a contemporary French painter whose work lies at the crossroads of genre painting, urban landscape, and social observation.

Her canvases unfold like a theater of everyday life, where fragments of existence captured in the moment play out. In these seemingly insignificant instants, she reveals a discreet, almost suspended poetry, showing what the hurried eye no longer perceives. Her work is rooted in the tradition of genre painting, while profoundly renewing its conventions through a resolutely contemporary and sensitive approach.

Working in series, Émilie Pannier has built a veritable repertoire of images, each a witness to our time. While her compositions bear the obvious marks of the present, they engage in a subtle dialogue with art history. By invoking ancient references and blending them with her contemporary scenes, she forges a link between different temporalities, reminding us that the present is always constructed in echo of the past.

The female figure occupies a central place in her work. Free and autonomous, her characters evolve in open, universal spaces where boundaries seem to disappear. They embody a strong, silent yet powerful presence, inscribed within the flow of the city.

In a world saturated with images and information, Émilie Pannier champions painting as an act of resistance. Through it, she seeks to suspend time, to capture the ephemeral with precision and intensity. She reveals the hidden beauty of urban structures, capturing subtle movements and the invisible tensions that permeate the city.

His work is based on a subtle mastery of color and light, which gives each canvas a unique atmosphere. Each work thus becomes a window onto reality, a space for contemplation where humanity, architecture, and time meet.

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