Bronze Sculpture for Sale
Te espero en Pekín, 2005
Painting : mixed media · 200 x 160 x 2 cm 78.7 x 63 x 0.8 inch · Ready to hang
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
200 x 160 x 2 cm 78.7 x 63 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022
Discount
This seller offers discount when you purchase multiple artworks.
Description
This work presents a compelling interplay of texture and form, structured around a sinuous figure that immediately captures the viewer's attention. Rendered in a restrained palette of grays and off-whites, the silhouette moves gracefully across the canvas with a dynamic elegance. Its rough, richly textured surface reflects the artist's exploration of materiality, creating a striking contrast with the smoother background.
The subtle presence of an angel, suggested with remarkable restraint and accompanied by a single feather as an evocation of its wings, introduces a symbolic dimension that invites reflection on themes of protection, transcendence, fragility, and hope. The economy of elements and the ambiguity of the representation allow the figure to exist between the recognizable and the abstract, leaving ample room for personal interpretation.
Through the use of contrasting textures and a minimalist palette, the artist encourages a contemplative engagement with the work's symbolic potential. The apparent simplicity of the composition, combined with the expressive power of its material execution, imbues the piece with a profound emotional and intellectual resonance.
Presentation
Luis Maraver is a Spanish contemporary artist whose practice is grounded in a sustained exploration of material, surface, and the temporal dimension of painting. His work is characterized by a process-driven approach in which pigments, binders, and often natural or mineral elements are layered, altered, and reworked over time.
Rather than treating painting as a purely representational medium, Maraver approaches it as a site of transformation. Its compositions frequently emerge through accumulation and erosion, where forms are not immediately given but gradually revealed through successive interventions. This method results in surfaces that retain visible traces of their own making, allowing the viewer to perceive time as an active component within the work.
His visual language operates between abstraction and figuration. While certain works may evoke landscapes, architectural fragments, or symbolic motifs, these references remain embedded within the material structure of the painting rather than explicitly defined. The image is therefore not imposed but discovered through process.
A defining aspect of Maraver's practice is his use of raw and often unconventional materials, which contribute to the density and physical presence of the surface. This emphasis on matter aligns his work with broader post-war painterly traditions that prioritize gesture, substance, and the autonomy of the medium.
Maraver's work has been presented in galleries and exhibitions in Spain and internationally, where it has been noted for its restrained palette, material depth, and the tension it maintains between formation and dissolution.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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