KH#223, 2022
Klaus Hoffmann  

Painting : acrylic, Pigments · 90 x 90 x 4.5 cm 35.4 x 35.4 x 1.8 inch

€2,150 2 150 €

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Shipped from: Germany

Delivery to: France Free delivery

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

90 x 90 x 4.5 cm 35.4 x 35.4 x 1.8 inch Height x Width x Depth

Sold by

Credentials

Vetted seller since 2026

Description

A bold play with precision and balance. At the center of this artwork is a deep red square against a deep dark background.

The composition completely avoids figurative references. It understands itself as a pure exploration of geometry. The artist follows the principles of concrete art to create an object that refers exclusively to itself.

The visual effect relies on the tension between two powerful colors. A rich red contrasts vividly with the emptiness of the deep dark edge.

Ready to hang

This contrast creates a feeling of depth and architectural stability. The painting foregoes narrativity to give precedence to a sensory experience of form.

High-quality pigments are applied in numerous thin layers of acrylic. This process enhances the luminosity of the red field. The raw linen ground remains visible under the paint. Its natural texture binds the physical material into the final composition.

The result is a luminous surface on which color and structure merge into a single autonomous unit.

Abstract

Minimalism

Geometric

Geometric abstraction

Abstract art

Abstract expressionism

Abstract Minimalism

Red

Klaus Hoffmann, KH#223
Germany  • 1957

Presentation

Klaus Hoffmann, born 1957

In his works, Klaus Hoffmann explores the interactions of colors and forms, the special color contrasts and the effect of pure monochrome color surfaces.

In doing so, he avoids figurative associations and orients himself towards the art movement of Concrete Art.

He mostly uses geometric forms, which can also show deviations and breaks.

His aim is to create works that only represent themselves and do not refer to things that are outside the pictorial space, in the visible world.

They should also enable a sensual experience of the colors and forms and their interactions.

He works with pure, high-quality pigments, which are rubbed into aqueous acrylic dispersion and applied in numerous thin layers to give the color surfaces depth and enhance their luminosity.

Self-primed raw linen, whose natural structure remains recognizable, serves as the picture support.

This incorporates the picture support into the work and creates an autonomous overall work.

Hoffmann was educated at the Wiesbadener Freie Kunstschule and Freie Kunstakademie Frankfurt, with a focus on painting, composition, and color theory.

Reviews from our customers

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