Campagne française, 2022
Painting : oil · 65 x 81 x 2 cm 25.6 x 31.9 x 0.8 inch · Ready to hang
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
65 x 81 x 2 cm 25.6 x 31.9 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
70 x 86 x 5 cm 27.6 x 33.9 x 2 inch
Sold by
Independent artist
Credentials
Vetted seller since 2022 • Top Seller
Description
Fields in Normandy translated by Sophie Dumont. The painting is released from any obligation of figurative representation. We observe the importance of the diagonal lines, the shades of colors and the vigor of the material.
Color and shape fit together sturdily. The treatment is done with oil and knife with many layers.
This canvas is framed with an American black wooden box but you can request a natural wooden box. Oil on linen canvas, the edges of the painting are painted.
Signed lower left.
Presentation
Born in 1964 in Suresnes, near Paris, Sophie Dumont lives and works in Langrune-sur-Mer, in Normandy. Self-taught, she began to paint in 1991 and develops research focused on matter, color, and the construction of space.
Her work unfolds in several series: libraries, abstract landscapes, studios, and geometric compositions gathered under the title Interior Architectures. These ensembles explore the relationships between memory, structure, and human presence. Books become rhythms and volumes; landscapes transform into expanses of color; studios retain the signs of activity and passage. In her geometric compositions, curves and rectangles organize a space where forms can evoke an architecture, an instrument, or a silhouette without fixing themselves in a single representation.
Sophie Dumont works mainly with oil on canvas, palette knife, and brush. The painting is built slowly, through successive layers, superimpositions, scrapes, and erasures. Earlier states remain perceptible and contribute to the depth of the work. The geometry of the compositions thus dialogues with a surface marked by gesture and time.
From one series to the next, her approach maintains this same tension between construction and matter, between what appears and what remains hidden. Her works are shown in France and internationally and are featured in private collections around the world.
Reviews from our customers
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