Black 44, 1973
Painting : Watercolour, pencil, mixed media · 30 x 50 x 0.1 cm 11.8 x 19.7 x 0 inch
€130
130 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 12
Estimated delivery: Less than one week
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Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Watercolour , pencil , mixed media on paper
Dimensions ( cm • inch )
30 x 50 x 0.1 cm 11.8 x 19.7 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022
Description
Why do you think so? and do you like opera?; because your imagination which is metaphor and narration has found your experience. See how the pencil mark flows without interruptions and second thoughts. A long work of experience has led to this result.
The creative act also consists of compositional opportunities that evoke compositional memories of new balances.
Since the 1960s Ambrosio has focused his research on the analysis of the sign as an expression of a language that manifests the flow of consciousness. The sign becomes a vehicle for communicating emotions and thoughts. Ambrosio acts with intuition and creates shapes that tell without the need for words. The work is an example of how Ambrosio combines elegance, minimalism and emotional expression in a unique way.
Presentation
Ambrosio Paolo, after years of preparation, he moved towards painting with a fundamental gestural attitude and developed his own method which took advantage of the immediacy of the gesture-sign of IMAGE-ART.
In the canvas, as in a "court of words", the gesture activates the vibrations that bring into the world a reality suspended in time. The gesture draws its reality, penetrates its secrets and becomes aware of an underlying labyrinth. These gestures do not have in themselves the ambiguity of the gesture since they free themselves, in the dynamics of the work, from the traces of the movement of the hand.
IMAGE-ART is an artistic practice that has used the eye's ability to manage GESTURE since the 1970s. Ambrosio follows GESTURE in the footsteps of the hand movement where an expressive form emerges, a SIGN that gives freedom to GESTURE. In practice, GESTURE activates resources and allows the value of the SIGN to be transposed into the work.
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