Seclusion, 2022

Kehinde Oyafajo  

"Seclusion" is a captivating artwork created by Kehinde Oyafajo that depicts a lady sitting on the floor with her hand resting on a stool. The lady is dressed in a sensual way and is gazing at the viewer with a puppy by her side. The painting exudes a sense of intimacy and solitude, and the colors used in the painting create a warm and inviting atmosphere.

The lady in the painting is sitting on the floor with her legs crossed and her back resting against a wall. She is wearing a revealing outfit that accentuates her curves, and her hand is resting on a stool beside her. Her gaze is direct and intense, which adds to the sense of intimacy in the painting. The puppy by her side adds a layer of vulnerability and tenderness to the scene.

The title of the artwork, "Seclusion," implies that the lady is in a private and intimate setting, which adds to the sense of intimacy and solitude in the painting. The warm and inviting colors used in the painting, such as the oranges and yellows, create a sense of comfort and relaxation, which further adds to the intimate atmosphere of the painting.

Kehinde Oyafajo's artwork is a testament to the power of human connection and intimacy. It celebrates the vulnerability and tenderness that can be found in intimate settings, and how these connections can bring us comfort and joy. The painting is a reminder of the importance of intimacy and solitude in our lives, and how these experiences can shape and transform us as individuals.

In conclusion, "Seclusion" is a beautiful and provocative artwork that captures the power of human connection and intimacy. Through his use of color, composition, and subject matter, Kehinde Oyafajo has created a piece that celebrates the vulnerability and tenderness that can be found in intimate settings. It is a reminder of the importance of solitude and intimacy in our lives, and how these experiences can shape and transform us as individuals.

The background shows different types of Ankara signs for African cultures which were formerly known as 'Dutch wax print', and was originally manufactured by the Dutch for the Indonesian textile market. But by design, these prints garnered more interest in West Africa than in Indonesia which led the Dutch to focus more on West Africa.

Shipping Procedure:
Ships in a well-protected tube from Nigeria.
This work is unique, not a print or other type of copy.
Accompanied by a Certificate of Authenticity (Issued by the Gallery)