Villa Rosso, 2014
Painting : acrylic · 97 x 162 x 4 cm 38.2 x 63.8 x 1.6 inch · Ready to hang
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
97 x 162 x 4 cm 38.2 x 63.8 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2023
Discount
This seller offers discount when you purchase multiple artworks.
Description
Villa Rosso is an artwork by Spanish artist Ramon Enrich.
A single building is surrounded by round and conical vegetation, itself pierced by a single opening. The artist's artwork is part of a series in which perspectives are aerial and the horizon is nowhere to be seen. The ground grid is reminiscent of Roman centuriation, with straight axes intersecting at right angles.
Ramon Enrich's paintings create a dialogue between architecture and landscape in a figurative art style that features geometric forms and a mysterious atmosphere. The landscapes and the almost abstract simplicity of the forms give the architecture a highly theatrical appearance.
A single building is surrounded by round and conical vegetation, itself pierced by a single opening. The artist's artwork is part of a series in which perspectives are aerial and the horizon is nowhere to be seen. The ground grid is reminiscent of Roman centuriation, with straight axes intersecting at right angles.
Ramon Enrich's paintings create a dialogue between architecture and landscape in a figurative art style that features geometric forms and a mysterious atmosphere. The landscapes and the almost abstract simplicity of the forms give the architecture a highly theatrical appearance.
Presentation
Ramon Enrich is a contemporary Spanish painter who lives and works in Igualada near Barcelona. After a technical education at the School of Fine Arts in Barcelona, he joined the Jonas Judd Foundation and then at the Chinati Foundation in the United States. In Los Angeles, he worked with Ed Ruscha and David Hockney, before becoming Julian Schnabel's assistant in New York.
In his figurative paintings, with their geometric shapes and enigmatic atmosphere, Ramon Enrich establishes a conversation between architecture and landscape. The simplicity of his landscape forms creates a highly theatrical vision of architecture.
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