Optical orange, 1967
Painting : acrylic · 114 x 162 x 4 cm 44.9 x 63.8 x 1.6 inch · Ready to hang
€6,000
6 000 €
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Shipped from: France
Delivery to: Germany , € 750
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
114 x 162 x 4 cm 44.9 x 63.8 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2019
Discount
This seller offers discount when you purchase multiple artworks.
Description
In this vibrant composition, Romano Zanotti explores the power of color and the dynamics of geometric forms. The lines intersect and shift, creating an optical depth that seems to pulsate under the effect of the incandescent orange. The eye wanders, drawn in by the variations in rhythm and the internal tensions of the painting.
Optical Orange is part of a tradition of geometric abstraction where the painting becomes a field of energy. A luminous, structured work that immediately transforms the atmosphere of a contemporary space.
Work exhibited at the Denise Renée Gallery and the Riquelme Gallery in the 1970s.
Signed Romano Zanotti 1967, titled and dated on the reverse, from the artist’s estate.
Presentation
Born in Moiodella Civitella, in the provence of Salerno (Italy) in 1934, Romano Zanotti began his artistic career in 1954. For more than 15 years he was permanently exhibited in the Gallery Denise Rene, as one of the leaders of the Kinetic movement with Vasarely, Agam and Soto.
Zanotti belongs to this spiritual family directed towards synthesis. Clarity of style, severity of construction, obsession with each gesture, and chromatic variations are combined with the grace of the composition.
Zanotti is influenced by the theme of veritable reality in painting and sculpture. He paints the canvas with infinite patience and, to him, painting is the space for illusion. He aims to reach the 'pure form', which hides behind the accidental appearance and the ephemeral perception of objects. He also strives to depict the 'true nature' of things. It is not enough for him to construct an ideal form; it is essential to acknowledge its appearance
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