Spazzio fratturato, 2005
Painting : acrylic · 60 x 60 x 3 cm 23.6 x 23.6 x 1.2 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 292
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
60 x 60 x 3 cm 23.6 x 23.6 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
70 x 70 x 4 cm 27.6 x 27.6 x 1.6 inch
Sold by
Art gallery
Credentials
Vetted seller since 2019
Discount
This seller offers discount when you purchase multiple artworks.
Description
Spazzio fratturato unfolds a sensitive geometry where planes break and reassemble. Zanotti uses fragmentation to open an inner, almost architectural space. The restrained yet intense colors structure the composition and give it a meditative depth.
Signed Romano Zanotti 2005, titled and dated on the back, origin documented.
Presentation
Born in Moiodella Civitella, in the provence of Salerno (Italy) in 1934, Romano Zanotti began his artistic career in 1954. For more than 15 years he was permanently exhibited in the Gallery Denise Rene, as one of the leaders of the Kinetic movement with Vasarely, Agam and Soto.
Zanotti belongs to this spiritual family directed towards synthesis. Clarity of style, severity of construction, obsession with each gesture, and chromatic variations are combined with the grace of the composition.
Zanotti is influenced by the theme of veritable reality in painting and sculpture. He paints the canvas with infinite patience and, to him, painting is the space for illusion. He aims to reach the 'pure form', which hides behind the accidental appearance and the ephemeral perception of objects. He also strives to depict the 'true nature' of things. It is not enough for him to construct an ideal form; it is essential to acknowledge its appearance
Reviews from our customers
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