Les anciens et les modernes, 2024
Painting : acrylic, pigment ink, paper, gold leaf, collage · 60 x 60 x 1 cm 23.6 x 23.6 x 0.4 inch · Ready to hang
$579
579 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 87
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
60 x 60 x 1 cm 23.6 x 23.6 x 0.4 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2024
Description
This intriguing artwork blends classical and contemporary elements in a bold composition. On the left, a feminine figure inspired by Renaissance art, adorned with a diadem, delicately holds an imposing goldfish, perhaps symbolizing fertility or transformation. The background is a dark swirl of dynamic textures and contrasts, adding a mysterious depth to the piece. On the right, an eclectic collage of faces and abstract fragments collides, suggesting a cacophony of voices and eras. Splashes of black and white emphasize the chaotic structure, evoking the passage of time or the collision of worlds. This daring juxtaposition of the old and the modern creates a captivating visual tension, compelling the viewer to explore every detail. The piece is a tribute to the continuity of history and the ever-evolving narrative of art.
Presentation
Nadja B.’s work is very plastic; she paints, glues, sews, and burns as she explores texture and materials. A tribute to personal catharsis, each canvas conveys its own story... and one of hers. What starts as an outlet for purging her emotions becomes something lyrical, dreamlike, and poetic.
She does not intend to provoke her inner demons, rather her process serves as a coping method in which a field of ruins can be transformed into a colorful edifice. Nadja B. explores palettes and sensations in a way that is iconoclastic yet also quite touching and evocative.
She does not intend to provoke her inner demons, rather her process serves as a coping method in which a field of ruins can be transformed into a colorful edifice. Nadja B. explores palettes and sensations in a way that is iconoclastic yet also quite touching and evocative.
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