Bronze Sculpture for Sale
Grandpa’s House, 2024
Painting : acrylic, mixed media · 90 x 70 x 3 cm 35.4 x 27.6 x 1.2 inch · Ready to hang
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic , mixed media on canvas
Dimensions ( cm • inch )
90 x 70 x 3 cm 35.4 x 27.6 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
My wife's grandmother or parents are in a village where I gather with my extended family in Boyolali, Central Java. This is where my wife was born and raised and in my grandmother's house we gather and enjoy the beautiful natural scenery, a place far from air pollution and city crowds. I felt peace and tranquility when I was in this village because the characteristics of this village are that every road is surrounded by lots of rice fields, mountains and hills that make it cool, clean rivers that flow by themselves and various kinds of trees are planted.
Every morning, it is always accompanied by the sound of a rooster crowing as if to wake me up from my sleep. The sun slowly emerged to reveal its bright light. I walked out of the house and saw rice fields in front of the farmer's house. There are some rice fields planted with rice that are still green which feels cool, there are some that are yellow which looks beautiful, and there is also a farmer who is plowing his field which has not yet been planted with rice. Apart from that, farmers also look for grass for their pets such as goats, buffalo and cows. In this village, the average population works as farmers because they take advantage of the surrounding conditions without destroying the natural beauty around them.
Residents in this village are very dependent on the natural surroundings, such as the air flowing from the mountains for their daily lives, there are also some who still use latrines because in each resident's house there are several ponds in which there are many different types of fish to meet their needs.
To save fuel in the kitchen, local residents use firewood because finding firewood is very easy to get. The advantage of using firewood is that apart from saving, the results of cooking using firewood are also delicious, but the disadvantage of firewood is that there is smoke which is very disturbing to environmental comfort.
The daily lives of local residents are very diligent and creative, and the needs of local residents are very dependent on natural life and also utilize the natural resources around them. By protecting and maintaining the surrounding environment they will not lack the available natural resources.
Presentation
Kusbudiyanto, a contemporary Indonesian artist, was born in 1969 and lives in Yogyakarta, a city at the heart of artistic creation in Indonesia. From an early age, he developed a passion for depicting rural life, which he began to illustrate through drawing and painting. Before devoting himself fully to his artistic career, he worked in the craft design sector, which refined his sensitivity to materials, textures and cultural symbolism.
Since 2016, Kusbudiyanto has devoted himself exclusively to canvas painting, developing a colorful, pattern-rich figurative style inspired by traditional Javanese culture. His works evoke celebrations such as Satu Suro, symbolic elements such as keris or wayang kulit, and everyday scenes involving humans and animals. Through his compositions, he pays homage to the myths, rituals, and folk tales of the Indonesian archipelago, particularly those of Java.
His style is often described as tropical, both for its vibrant palette and the abundance of plant, floral, and animal motifs. He uses acrylic and mixed media on canvas, constructing detailed scenes where traditions, spirituality, and community life intersect. Children, markets, the forest, and local wildlife are all recurring subjects that reflect a narrative and humanist approach to creation.
Since 2017, Kusbudiyanto has exhibited regularly in Indonesia and internationally, including in Yogyakarta, Singapore, and other Southeast Asian art centers. His work is collected by contemporary Indonesian art enthusiasts who appreciate the cultural richness of his visual narratives.
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