VM24-MTP NEG MULTI # EDJ 12.10-219, 2024
Painting : acrylic, ink, resin · 100 x 81 x 2 cm 39.4 x 31.9 x 0.8 inch · Ready to hang
$1,839
1 839 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 313
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 81 x 2 cm 39.4 x 31.9 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
This artwork is distinguished by a captivating geometric composition that challenges the viewer's eye with its complexity and elegance. It presents a series of vertical and horizontal lines, forming a sort of structured grid. These lines are dotted with delicate shades ranging from pastel to orange, creating a subtle and soothing chromatic harmony. The juxtaposition of soft colors, combined with the textured effect of the lines, brings a singular depth to the whole. Each shade seems to merge slightly with the next, suggesting a fluid and organic continuity, almost like a cityscape seen through a dreamlike prism. The relief effect obtained by variations in intensity in the colors gives the work a tactile dimension. What makes this piece truly unique is its ability to evoke contrasting emotions — a juxtaposition of order and chance, calm and dynamism. The artist has managed to capture a timeless essence, a perfect balance between structure and spontaneity, encouraging the viewer to linger, to explore every detail and nuance with wonder. The work is not simply a visual composition, but an invitation to contemplate the nuances of light and shadow, reflecting a technical mastery and a remarkable artistic sensitivity.
Presentation
Painting as a fullness of color
Painting until then in a semi-figurative style, it was in 2012 following his move to Burgundy that a real renaissance took place in Laurent Prudot's work.
The form then completely disappears from his concerns, and it is at the end of this year 2012 that his interest in the abstract becomes the center of his research.
In total contradiction with his previous works, Laurent Prudot now sees life as an explosion of light and colors.
A “geometric" abstractionIt was at this time that the use of his "Monotamprientes", a mixture of monotype, imprint, and stamp, which he made himself, resurfaced.
This abstraction that he describes as “geometric" takes the form of regular squares and other vertical line-signs, with an idea of repetition and assumed rehashing very present in all of his work.
He explores the different possible variations and plays between the intensity of the colors and the white of the support, which gives his approach all its singularity.
From the semi-figurative style of his beginnings, the artist has evolved towards a clearer, more architectural, more constructed art.
We could easily attribute Paul Valéry's words to Laurent Prudot: "Nothing is more dangerous than making painting speak. Painting is something to look at."
Thus, thanks to the importance of rhythm between forms and space, his work expresses itself and succeeds in engaging his audience in a true poetic experience.
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