Sublime artificiale 30, 2024
Painting : aluminium · 108 x 108 x 0.5 cm 42.5 x 42.5 x 0.2 inch
$4,026
4 026 $US
One of the last works available by this artist
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Shipped from: Italy
Delivery to: United States , $ 167
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
108 x 108 x 0.5 cm 42.5 x 42.5 x 0.2 inch Height x Width x Depth
Sold by
Art gallery
Professional art gallery • Italy
Credentials
Vetted seller since 2024
Description
Two fundamental aspects of this series, which began in 2020, are aesthetic anesthesia and the spectacularity of ugliness. One of the greatest dangers facing society is cultural and visual desensitization to environmental phenomena, a modern problem linked to the rapid flow of images. This is why this series of works is called "Artificial Sublime" and is based on the construction of images inspired by anthropic places, which can appear seductive in reality. The final layer of resin makes the works reflective, incorporating the surrounding space and "forcing" the observer to "mirror" themselves and see themselves in the world of the Anthropocene, thus reflecting on their human condition in this geological era.
Presentation
Rossella Barbante studied at Brera's Academy of fine arts, in Milan, Italy. She completed her undergraduate and postgraduate coursework by delving into the complex topic of the Anthropocene. This experience has provided her with a unique perspective on how humans have impacted nature in a detrimental way.
Her work has also been enriched by foreign experiences such as the art residency at the Academy of Cluj Napoca, has been exhibited nationally and internationally thanks to the collaboration with galleries such as the Westend Galerie in Frankfurt, Lorenzelli Arte, Museo Diocesano in Milan, Mudima Foundation, Paratissima and many others.
If, in the initial phase of his research, the landscape was mainly a means of internal investigation – a refuge, a meeting point between the external world and the internal world – now it takes on a more dramatic meaning. Attention is paid to the new geological era, the Anthropocene, wherein man is no longer a detached observer, but rather often intervenes in harmful and irreparable ways in nature.
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