Il Duomo, 2022
Bernard Vié   Best sellers

Painting : acrylic · 100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch · Ready to hang

€2,400 2 400 €

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Shipped from: France

Delivery to: Germany , € 120

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2025

Description

An Italian square… The artifice of representing a space seen from below allows a full view of this square, as if we were looking at its model. This vision joins that of the tourist, nose in the air. It is a way of imagining the exchanges of the characters moving in this decor. In the center a monumental version of the sculpture "The Washerwoman".

Architecture

Fantastic

figurative

Horses

Crowd

Yellow

Sky blue

Bernard Vié, Il Duomo

Bernard Vié

France  • 1947
75 followers

Presentation

After studying at the École Supérieure des Beaux-Arts in Paris, he became an architect, then turned to monumental sculpture, composed with landscape and architecture. He thus responded to around thirty commissions in varied materials and expressions.

At the same time, he developed bronzes, often animal-based. His language sought a balance between precise anatomy, symbolic dimension, and restrained lyricism. The composition was based on precise drawing and proportions, which allowed for freedom and fantasy of gesture. In order to emphasize the eloquence of a movement, he created gaps, representing only a part of the subject.

Painting has taken on an important role in recent years. It reflects the dialogue between drawing, materials and architecture, between line, surface and volume. It composes empty or constructed spaces, inhabited by characters, as if staged.

His works oscillate between a secret and tender intimacy, and the often baroque lyricism of a grand theatricality. In a very personal drawing, we feel his ambition to simply express life.

2021 winner of the TAYLOR FOUNDATION, Joêl Dabin prize, numerous solo exhibitions.

Reviews from our customers

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