Kyoto, 2025
Bernard Vié  

Painting : acrylic · 80 x 80 x 3 cm 31.5 x 31.5 x 1.2 inch · Ready to hang

€2,000 2 000 €

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Shipped from: France

Delivery to: France , € 55

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

acrylic on canvas

Dimensions ( cminch )

80 x 80 x 3 cm 31.5 x 31.5 x 1.2 inch Height x Width x Depth

Sold by

Independent artist

Credentials

Vetted seller since 2025

Description

The bird's-eye view highlights the paved surfaces and the water surfaces, as well as the movements of the figures. A relaxed and playful atmosphere emanates from this walk from one bank to the other. The fragmentation of the figures into colorful touches creates a kind of "cloud" of patterns, a living, moving canvas. The painting is composed around the emblematic motif of this red bridge, so often found in the prints of Hokusai and Hiroshige. A precious note is added by gold leaf surfaces.

Everyday life

From the sky

People

Bridge

Sky blue

Red

Bernard Vié, Kyoto

Bernard Vié

France  • 1947
65 followers

Presentation

After studying at the École Supérieure des Beaux-Arts in Paris, he became an architect, then turned to monumental sculpture, composed with landscape and architecture. He thus responded to around thirty commissions in varied materials and expressions.

At the same time, he developed bronzes, often animal-based. His language sought a balance between precise anatomy, symbolic dimension, and restrained lyricism. The composition was based on precise drawing and proportions, which allowed for freedom and fantasy of gesture. In order to emphasize the eloquence of a movement, he created gaps, representing only a part of the subject.

Painting has taken on an important role in recent years. It reflects the dialogue between drawing, materials and architecture, between line, surface and volume. It composes empty or constructed spaces, inhabited by characters, as if staged.

His works oscillate between a secret and tender intimacy, and the often baroque lyricism of a grand theatricality. In a very personal drawing, we feel his ambition to simply express life.

2021 winner of the TAYLOR FOUNDATION, Joêl Dabin prize, numerous solo exhibitions.

Reviews from our customers

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