Opéra-Répétition N°13 - MA56, Circa 2000
Michelle Auboiron  

Painting : acrylic · 140 x 100 x 0.3 cm 55.1 x 39.4 x 0.1 inch

€3,200 3 200 €

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Shipped from: France

Delivery to: France , € 95

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

140 x 100 x 0.3 cm 55.1 x 39.4 x 0.1 inch Height x Width x Depth

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Credentials

Vetted seller since 2015 • Top Seller

Description

Mural work created by the artist in "live painting": technique of creating a work live, improvised and spontaneous.

Excerpt from a series of 50 paintings, each produced in situ during the day at the Palais Garnier in Paris, with the kind permission of Hugues Gall, Director of the Paris Opera at the time.

Each painting has a cross-section or a pasted plan materializing the location from which it was painted with handwritten details from the artist.

With frameless hanging system if you want to do without a frame.

Transport in custom-made wooden crates and insured ad valorem.


Everyday life

Action painting

Statue

Interior

Beige

Black

Michelle Auboiron, Opéra-Répétition N°13 - MA56
France  • 1945

Presentation

Since about thirty years Michelle Auboiron is painting outside creating big street an architectural series all around the world: New York, San Francisco, Colorado Valley, Las Vegas, Hong Kong, Shanghai, Habana, Morocco, Mauritania, Mali Senegal. In France she painted Paris Opera, the Serres d’Auteuil, La Défense towers, Paris Bridges, Dinard town or the Diplonosaure of the Jardin des plantes.

She graduated from Arts Appliqués Duperré High School and Boulle School. In 2012 Michelle Auboiron undertook a hugh work within the Château de Versailles. His artistic project contains 2 series of paintings: the gardens and the outside of the Castle where she worked close to the numerous visitors for several months. Her paintings are showing an architectural vision of the castle and the gardens using surprising viewpoint or perspectives. The second series was inspired by the official portraits of the royal Court that she misappropriated with lot of humor and irreverence.

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