Blue Corner, 2017
Painting : acrylic · 44 x 40 x 2.5 cm 17.3 x 15.7 x 1 inch · Ready to hang
$2,109
2 109 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 234
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
44 x 40 x 2.5 cm 17.3 x 15.7 x 1 inch Height x Width x Depth
Artwork dimensions including frame
45 x 41 x 5 cm 17.7 x 16.1 x 2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2025
Discount
This seller offers discount when you purchase multiple artworks.
Description
The brushstroke technique is the base of Kitikong Tilokwattanotai practice.
Whether combined or layered to create a shape illusion, or left as is, the brushstroke remains a marker of the moment when the artist has connected with the canvas through a movement to express an emotion. In an abstract artwork, by definition without direct reference to an object or person, the brushstroke is self-sufficient thus creating its own meaning.
But Tilokwattanotai turns the brushstroke into a vector of communication, where the paintbrush becomes an extension of his body and soul. In his emotional and meditative state, Tilokwattanotai allows his ego to vanish and automation to take over; the painting creates itself.
In his creations, he uses lacquer, an ancestral material widely used in Asian art and crafts. The long lacquering process - several weeks - requires meticulous application of thin layers - around fifty - and a succession of sanding and polishing operations.
The lacquer then becomes a texture developer for the layers of paint and a chromatic intensifier for the pigments.
These effects reveal the depth of the work, making the invisible visible. The gesture of the brush combined with the mirror effect of the lacquer and the expressive calligraphy-like forms encourage the viewer to interact with the work.
The displayed forms then simply act as guides to infinite possibilities. Such signification, not related to place or time, stimulates the imagination
Presentation
Kitikong Tilokwattanotai was born in Lampang, Thailand in 1978. He lives and works in Chiang Mai. He graduated in printmaking from Chiang Mai University.
Chiang Mai, he moved to Sydney, Australia in 2001 to obtain a Master's degree in Art & Design from the University of New South Wales in 2003.
Back in Chiang Mai in 2004, Tilokwattanotai teaches printmaking techniques applied to art at the Rajamangala University in Chiang Mai.
In 2014, he created the Art on Paper studio in Chiang Mai. This residence and exhibition space welcomes Thai and international artists This residency and exhibition space welcomes Thai and international artists around the creation of art using monoprint and printmaking techniques.
Tilokwattanotai works with paint on canvas and printed media.
Tilokwattanotai's abstract work is based on capturing and remembering his emotions. In the series exhibited, Tilokwattanotai uses a pictorial technique based on successive brushstrokes causing accumulations of coloured material of varying thickness. The transparency and crystallinity of the layer of lacquer that he applies will then freeze these sediments whose texture and colour will take the viewer on a journey of discovery and colour will take the viewer into a contemplative state.
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