Suzanne - (based on T. Lempicka), Circa 2010
Viktor Konotopsky  

Painting : oil, canvas · 70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch · Ready to hang

€600 600 €
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Shipped from: Ukraine

Delivery to: France , € 48

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

oil, canvas on canvas

Dimensions ( cminch )

70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch Height x Width x Depth

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Description

1639

This painting, inspired by the works of Tamara de Lempicka, captures the timeless elegance and sensuality of the female form. The soft, rounded shapes of the woman's body and the subtle, diffused light reflect Lempicka's Art Deco style, characterized by polished, sculptural forms and bold yet controlled colors. The figure's relaxed pose, with her hand gently resting on a white cloth, conveys a sense of intimacy and tranquility, while the lush greenery in the background adds a touch of natural sensuality to the composition. The contrast between the smooth, polished skin and the crisp folds of the cloth highlights the artist's technical mastery in depicting textures and light. Through this work, Konotopsky explores the delicate balance between strength and softness, capturing the inner confidence and timeless allure of his subject, while paying homage to one of the most iconic figures of modern art.

Viktor Konotopsky, Suzanne - (based on T. Lempicka)
Ukraine  • 1967

Presentation

Viktor Konotopsky was born in 1967 in the village of Maleshkovka, Nedrigailovsky district, Sumy region.

Graduated from the Kharkiv State Art School and the Faculty of Arts of the Saratov State Pedagogical University named after Makarenko.

Worked as a drawing and drafting teacher, and an artist in the advertising field.
In the 90s, he lived and worked in Poland (Krakow and Szczecin) and St. Petersburg.

Viktor had many temptations to catch some fashionable artistic disease, but he remained himself.
Judging his painting by the standards of world artistic fashion is as absurd as declaring love with the memorized words of a popular literary hero. In this sense, it is naive, but the naivety of a professionally educated person. His paintings are realistic, although stylized. The landscapes are easily recognizable, but they contain a generalization leading to an image.

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