"A look into the future" - (based on Lyubov Popova), Circa 2010
Painting : oil, cardboard · 54 x 46 x 2 cm 21.3 x 18.1 x 0.8 inch
€600
600 €
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Shipped from: Ukraine
Delivery to: Italy , € 48
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
54 x 46 x 2 cm 21.3 x 18.1 x 0.8 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
1669
In "A Look into the Future," Ukrainian artist Viktor Konotopsky, inspired by Lyubov Popova's dynamic Cubo-Futurist vision, presents a powerful study of movement, progress, and transformation. The figure at the center—fragmented into rhythmic cylinders, planes, and sharp angles—appears to be in mid-motion, striding boldly through a space defined by energy, not gravity. The composition pulsates with industrial geometry: turbines, spirals, and structural forms echo the mechanical age and human ambition. The palette—dominated by reds, blacks, and ochres—evokes both vitality and tension, reflecting the dual promise and danger of modernization. Konotopsky's subject is not merely a person, but a symbol of humanity pushing forward—restless, complex, and in constant evolution. The painting expresses a vision where individuality merges with the momentum of history, inviting viewers to contemplate where the future is headed and who will shape it.
Presentation
Viktor Konotopsky was born in 1967 in the village of Maleshkovka, Nedrigailovsky district, Sumy region.
Graduated from the Kharkiv State Art School and the Faculty of Arts of the Saratov State Pedagogical University named after Makarenko.
Worked as a drawing and drafting teacher, and an artist in the advertising field.
In the 90s, he lived and worked in Poland (Krakow and Szczecin) and St. Petersburg.
Viktor had many temptations to catch some fashionable artistic disease, but he remained himself.
Judging his painting by the standards of world artistic fashion is as absurd as declaring love with the memorized words of a popular literary hero. In this sense, it is naive, but the naivety of a professionally educated person. His paintings are realistic, although stylized. The landscapes are easily recognizable, but they contain a generalization leading to an image.
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