12 03 2024 12:21:20, 2025
Edwin Wide Donnart  

Painting : acrylic · 110 x 80 x 3 cm 43.3 x 31.5 x 1.2 inch · Ready to hang

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Verified Reviews : 9.6/10
About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

110 x 80 x 3 cm 43.3 x 31.5 x 1.2 inch Height x Width x Depth

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Description

This work features a juxtaposition of vertical bands and vibrant hues. The regular lines create a striking visual rhythm, evoking a sense of fluid movement. The color palette, dominated by deep greens and vibrant reds, accentuates the contrast between light and dark, contributing to an atmosphere that is both mysterious and dynamic. The touches of white add a luminous dimension, drawing the eye in and guiding visual exploration. This abstract composition skillfully plays with perception, prompting the viewer to discover emerging forms and hidden patterns. The work, with its repetitive linear patterns and bold chromatic contrasts, offers an immersive and stimulating experience.

Edwin Wide Donnart, 12 03 2024 12:21:20
France

Presentation

Since childhood, Wide has been fascinated by abandoned spaces, ceded by man to the wild. These modern ruins send us back to our own temporality, to the impermanence of everything. For 20 years he has been creating paintings, essentially ephemeral, in these decomposing places. This practice developed in Wide an interest in the obsolescence produced by time and led him in this search for the aestheticization of the ephemeral towards Glitch art. This art consists of recognizing the beauty in the display errors of digital images, in the form of fragmentations, repetitions and artefacts.

Wide tries to reproduce in paint this aesthetic of technological obsolescence that can appear on our LCD screens. The collection of identity photos, testimonies of a moment T, and the capture of words taken from the continuous flow of information both "news" and already outdated, constitute the raw material of Wide's studio work. He explores these themes in works tending towards abstraction, experimenting with different mediums and techniques.

"All men have a secret attraction for ruins. This feeling is due to the fragility of our nature, to a secret conformity between these destroyed monuments and the speed of our existence." Francois-Rene de Chateaubriand

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