22 02 2024 16:45:54, 2024
Painting : acrylic · 100 x 70 x 3 cm 39.4 x 27.6 x 1.2 inch
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 70 x 3 cm 39.4 x 27.6 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This unique artwork uses a pixel technique to depict a winter landscape. The trees in the center stand proudly, their dark shapes contrasting sharply with the pale, snowy background. Each square is meticulously chosen, creating a pixelated effect reminiscent of a digital aesthetic. Shades of blue and gray add an icy depth to the scene, accentuating the cold and serene atmosphere. The juxtaposition of natural elements with this modern technique creates a captivating tension, demonstrating the artist's ability to merge tradition and modernity. The work invites the viewer to question perception and reality, blurring the lines between traditional craftsmanship and contemporary technology. It is a fascinating exploration of the beauty of winter landscapes, brought to life through a bold and innovative interpretation.
Presentation
Since childhood, Wide has been fascinated by abandoned spaces, ceded by man to the wild. These modern ruins send us back to our own temporality, to the impermanence of everything. For 20 years he has been creating paintings, essentially ephemeral, in these decomposing places. This practice developed in Wide an interest in the obsolescence produced by time and led him in this search for the aestheticization of the ephemeral towards Glitch art. This art consists of recognizing the beauty in the display errors of digital images, in the form of fragmentations, repetitions and artefacts.
Wide tries to reproduce in paint this aesthetic of technological obsolescence that can appear on our LCD screens. The collection of identity photos, testimonies of a moment T, and the capture of words taken from the continuous flow of information both "news" and already outdated, constitute the raw material of Wide's studio work. He explores these themes in works tending towards abstraction, experimenting with different mediums and techniques.
"All men have a secret attraction for ruins. This feeling is due to the fragility of our nature, to a secret conformity between these destroyed monuments and the speed of our existence." Francois-Rene de Chateaubriand
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