In the Pause of a Wingbeat, 2025
Painting : acrylic, collage, mixed media · 101 x 101 x 3 cm 39.8 x 39.8 x 1.2 inch · Ready to hang
$6,186
6 186 $US
Shipping & delivery
Shipped from: United Kingdom
Delivery to: United States , $ 190
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic , collage , mixed media on canvas
Dimensions ( cm • inch )
101 x 101 x 3 cm 39.8 x 39.8 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2023
Description
This artwork is a mesmerizing blend of abstract and natural elements, featuring a harmonious interplay of vibrant and muted colors. The piece predominantly showcases fluid brushstrokes in shades of purple, red, green, and blue, creating an ethereal, dream-like atmosphere. A subtle white dragonfly gracefully flutters near the center, adding a delicate touch to the composition. The abstraction blurs the boundaries of recognizable forms, inviting viewers to immerse themselves in its serene and dynamic essence. The interplay of light and shadow enhances the depth, while the rich texture contributes to an engaging visual experience. This painting stands out for its ability to evoke emotion through color and movement, making it a captivating piece that invites contemplation and introspection.
Presentation
I paint abstracts in oil on canvas, based on 'things seen': formerly still life, now mostly landscape, in which I aim to evoke time and place, using colour and light. I paint in thin layers, laying paint over paint to exploit its transparency, a technique of which Turner and Titian were both masters.
Ponds have recently become my focus. The sheer abundance of life has ignited an enthusiasm for mark making and greater experiment. I find myself using collage, painting up pieces of Japanese paper in a myriad of colours and adding them into my work as abstract shapes or more recognisable butterflies or fish.
My formative influences included Georgio Morandi, Paul Cézanne, Georges Braque, Mark Rothko, Robert Motherwell, and Clyfford Still. Morandi is remembered for pointing out that "There is nothing more abstract than the visible world". I in my own way set out to make abstract compositions out of things I have seen, and been moved by: "A world observed and translated – a world created from the natural and the man-made 'still life': a still life both drawn and felt, as one would admire and caress a well-loved jug, or wonder at the light on the water of the Thames on a calm spring morning".
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