Untitled 13. From Mexican Ryoan-ji Series, 2019
Francisco Larios  

Painting : oil, acrylic, gold leaf · 30.5 x 30 x 2.5 cm 12 x 11.8 x 1 inch · Ready to hang

€2,331 2 331 €
Shipping & delivery

Shipped from: United States

Delivery to: Italy , € 326

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30.5 x 30 x 2.5 cm 12 x 11.8 x 1 inch Height x Width x Depth

Artwork dimensions including frame

41.9 x 35.6 x 5.1 cm 16.5 x 14 x 2 inch

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Credentials

Vetted seller since 2019 • Top Seller

Description

Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of the purely abstract Zen garden that inspired this series Francisco Larios' works are done by hand with hundreds of layers of gold leaf. The artist's goal is to allow the work to age along with the collector, which is why some works will appear unbalanced in color. Parts of the work will have different tones, burnish spots, or small, soft cracks. Francisco Larios use postmodern influences are recognized by simplified forms, lines and sacred geometry. Larios' production is not an uncritical quotation or appropriation of the themes that interest him, being a poetic exploration of the state of our relationships with faith, will and destiny.

Abstract

Geometric

Geometric abstraction

Abstract art

Lines

Mexico

Black

golden

Francisco Larios, Untitled 13. From Mexican Ryoan-ji Series
Mexico

Presentation

Francisco Larios practices painting, open-concept drawing, and the use of software to create two and three-dimensional visual environments. In his imaginary, the postmodern condition is achieved in terms that contemporary culture is the starting point for the elaboration of sceneries that manifest the return to sacred references, philosophical themes, and immemorial fabulations. 

In Larios' work, landscape is treated conceptually, sometimes, as space where studies of the dreamlike, the bond between human beings and their surroundings, and the nature of objects develop; in other cases as the practice of graphic representation of mathematical, physical and musical principles which part from the idea of the horizon as divisive line and as a limit. 

Larios production is a poetic, ironic, and reflexive exploration of the state of our relationship with faith, will, and destiny.

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