Untitled 16 From the Mexican Ry?an-ji Series, 2019
Francisco Larios  

Painting : oil, acrylic, gold leaf · 29.2 x 24.1 x 2.5 cm 11.5 x 9.5 x 1 inch · Ready to hang

€2,325 2 325 €
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Shipping & delivery

Shipped from: Mexico

Delivery to: France , € 325

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

29.2 x 24.1 x 2.5 cm 11.5 x 9.5 x 1 inch Height x Width x Depth

Artwork dimensions including frame

35.6 x 29.5 x 3.8 cm 14 x 11.6 x 1.5 inch

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Credentials

Vetted seller since 2019 • Top Seller

Description

This artwork is a striking example of geometric abstraction, featuring a sophisticated interplay of golden and black tones. Its composition revolves around sharp, angular shapes and precise lines, creating a sense of depth and dimensionality. The metallic gold hues lend a luxurious quality, while the matte black sections provide contrast, enhancing the visual impact. The arrangement of the forms suggests movement and balance, drawing the viewer’s eye across the canvas. The central vertical element creates a focal point, anchoring the composition. This piece stands out for its refined use of color and form, evoking both modernity and elegance. The frame echoes the artwork's palette, further unifying the piece and emphasizing its structured design. The meticulous craftsmanship and innovative blend of simplicity and complexity make this artwork a captivating study in contrasts.

Abstract

Geometric

Geometric abstraction

Lines

Mexico

Abstract Minimalism

Francisco Larios, Untitled 16 From the Mexican Ry?an-ji Series
Mexico

Presentation

Francisco Larios practices painting, open-concept drawing, and the use of software to create two and three-dimensional visual environments. In his imaginary, the postmodern condition is achieved in terms that contemporary culture is the starting point for the elaboration of sceneries that manifest the return to sacred references, philosophical themes, and immemorial fabulations. 

In Larios' work, landscape is treated conceptually, sometimes, as space where studies of the dreamlike, the bond between human beings and their surroundings, and the nature of objects develop; in other cases as the practice of graphic representation of mathematical, physical and musical principles which part from the idea of the horizon as divisive line and as a limit. 

Larios production is a poetic, ironic, and reflexive exploration of the state of our relationship with faith, will, and destiny.

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