Untitled 19 From the Mexican Ry?an-ji Series, 2019

Francisco Larios  

This artwork is a striking example of geometric abstraction, showcasing a meticulously crafted composition dominated by gold and black tones. At its center, angular shapes interlock seamlessly, forming a dynamic interplay of lines and planes. The precision of the golden lines, which alternate in thickness, creates a sense of movement and depth against the stark black background. The angular forms appear to shift and overlap, drawing the viewer’s eye across the canvas in an exploration of space and form. The use of gold leaf adds a luminous quality, enhancing the visual impact and giving the piece a luxurious texture. The contrast between the metallic sheen and the matte black background heightens the dramatic effect, making this artwork a compelling study in balance and contrast. Its bold aesthetic and modern sensibility make it a captivating focal point.

Untitled 19, 2019 by Francisco Larios Lacquer, Acrylic, oil, and gold leaf on MDF Deep Image Size: 9.5 in. H x 9.5 in. W Frame Size: 11.6 in. H x 11.6 in. W x 1.5 in. D One of a kind 

From the Mexican Ryōan-ji Series Ryōan-ji is the Japanese Zen temple in Kyoto, a monastery that gave rise to the idea of ​​the purely abstract Zen garden that inspired this series Francisco Larios’ works are done by hand with hundreds of layers of gold leaf. The artist’s goal is to allow the work to age along with the collector, which is why some works will appear unbalanced in color. Parts of the work will have different tones, burnish spots, or small, soft cracks.

* Francisco Larios works with painting, open concept drawing and 3D modeling software. In this series of works, postmodern influences are recognized by simplified forms, lines and sacred geometry. works are done by hand with hundreds of layers of gold leaf. The artist’s goal is to allow the work to age along with the collector, which is why some works will appear unbalanced on the color. Parts of the work will have different tones, burnish spots, or small, soft cracks. Francisco Larios practices painting, open-concept drawing and the use of software to create two and three-dimensional visual environments. In his imaginary, the post modern condition is achieved in terms that contemporary culture is the starting point for the elaboration of sceneries that manifest the return to sacred references, philosophical themes and immemorial fabulations. In Larios' work landscape is treated conceptually, sometimes, as the space where studies of the dreamlike, the bond between human beings and their surroundings, and the nature of objects develop; in other cases as the practice of graphic representation of mathematical, physical and musical principles which part from the idea of horizon as divisive line and as limit. Larios production is a poetic, ironic and reflexive exploration on the state of our relationship with faith, will and destiny.

This artwork is a striking composition of geometric abstraction, prominently featuring intricate gold lines on a textured surface. The interplay between gold and black creates a dramatic contrast, emphasizing the precision of the linear patterns. The angular forms intersect with each other, generating an illusion of depth and movement, while the meticulous alignment of lines showcases exceptional craftsmanship. The choice of gold brings a sense of opulence and timelessness, setting off the contemporary, minimalist aesthetic. The piece is encased in a sleek black frame that complements and enhances the artwork's boldness. This artwork captivates with its harmonious blend of simplicity and complexity, making it a standout piece in modern geometric art.