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Dualism of Mind and Body, 2024
Yana Dmitrieva  

Painting : oil · 70 x 50 x 3.5 cm 27.6 x 19.7 x 1.4 inch · Ready to hang

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

70 x 50 x 3.5 cm 27.6 x 19.7 x 1.4 inch Height x Width x Depth

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Credentials

Vetted seller since 2024 • Top Seller

Description

This painting is a meditation on the dualism of mind and body—how our desires for transformation and freedom often conflict with the security and familiarity we have gained. It suggests that true growth requires shedding parts of ourselves, even those we have grown to rely on, in order to reach new heights and embrace what is yet to come. Only those brave enough to sever these ties can fully embrace the possibility of a new life, untethered and unburdened.

Portrait

Fantastic

Landscape

Human body

Imaginary landscape

Psychology

Surrealism

Red

Yana Dmitrieva, Dualism of Mind and Body
Montenegro  • 1981

Presentation

Yana Dmitrieva is a contemporary artist whose practice moves between figuration, abstraction, and surrealism to examine uncertainty, adaptation, and the preservation of self. Her paintings focus on moments when familiar structures begin to dissolve and identity becomes something fluid rather than fixed.

Figures in Dmitrieva's work are frequently faceless. By withholding individual expression, she shifts attention toward the body itself — its posture, tension, balance, hesitation, and instinctive response to circumstances beyond its control. Human forms stretch, merge with fish and other organisms, or inhabit spaces that seem simultaneously above and below water.

Migration forms an important conceptual undercurrent in her practice, but the work deliberately avoids literal autobiography. Displacement becomes a broader psychological condition that can arise through relocation, loss, motherhood, separation, reinvention, or any experience in which a familiar version of the self no longer feels sufficient.

Her distinctive palette of aquatic blues, luminous greens, violets, and unexpected chromatic transitions intensifies this sense of instability. Landscape becomes less a physical location than an extension of consciousness.

Dmitrieva's ongoing Displaced Bodies series considers the body as an archive of uncertainty. Rather than illustrating what has happened to a person, the paintings preserve the physical state of being caught between what was and what comes next — a vulnerable, unresolved territory in which transformation has begun but identity has not yet settled.

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