Cuac #9, 2017
Painting : acrylic, cardboard, collage · 20 x 20 x 0.3 cm 7.9 x 7.9 x 0.1 inch
$290
290 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 44
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic , cardboard , collage on plexiglass
Dimensions ( cm • inch )
20 x 20 x 0.3 cm 7.9 x 7.9 x 0.1 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Created on a cardboard background painted with acrylic, lined with a plexiglass surface also worked with acrylic, this work is the ninth in the "Cuac" series. True to his experimental approach, Patopalomo plays here on the superposition of planes and the transparency of materials to generate a vibrant visual space.
Above the dark background, the red, blue and gold lines painted on the plexiglass introduce a graphic and rhythmic dimension, giving the impression that the patterns are floating in suspension.
This process creates a dialogue between depth and surface, between abstraction and figuration, emblematic of the artist's multidisciplinarity.
Presentation
Born October 22, 1946 in Santiago, Chile, this pigeon has lived for twenty years in the south of France. Party of Santiago following the military coup of 1973, he first lived in several Latin countries US before coming to nest on the Provençal lands. As a graphic designer, he worked in the Argentine, Mexican and Chilean media who fought for freedom of expression and the end of dictatorships; today as an artist, he kept the footprints of its origins and paints, sculpts and makes installations with materials picked up here and there.
Through a free illustration, color, material and profusion, he deposits on various substrates (wood, canvas, cardboard, plexiglass, varied recycling equipment ) images that he caught on the fly, during his travel and contact with disabilities and other artists. Gleaner inveterate, it also fills with humor and poetry devious objects or blank media while pointing his brushes and pencils on the contradictions of our globalized world.
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