De voir sur l'onde son reflet, 2024
Painting : oil, canvas, Knife Painting · 100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch · Ready to hang
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
oil , canvas , Knife Painting on canvas
Dimensions ( cm • inch )
100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2024
Discount
This seller offers discount when you purchase multiple artworks.
Description
This abstract artwork exudes a captivating atmosphere thanks to its vibrant shades of blue, purple, and green. Energetic strokes cross the canvas, evoking the fluidity of water and the mystery of nature. The blurred, intertwined shapes suggest a waterscape where light intensely reflects off the moving surface. The striking contrasts between dark and light hues create a hypnotic depth. The artist's dynamic brushwork depicts an enchanting, harmonious dialogue. This painting captures the essence of moving water while offering a contemporary and innovative vision. A true invitation to contemplation, this piece is a testament to the creator's technical skill and boundless imagination.
Presentation
Nadine Pillon is a French painter whose work explores water, transparency, reflections, and light. Using oil and palette knife on linen canvas, she develops a painting situated between abstraction and figuration, where matter and gesture transform the perception of the landscape and the vegetal world.
Water is at the heart of her research. She observes the plays of transparency, the reflections, the depths, and the vibrations of light.
Her works do not seek to faithfully reproduce a landscape. Rather, they retain a sensation of it: a particular light, a movement, an apparition, a reflection. Shapes are suggested, fragment and overlap, leaving the viewer the possibility to continue the image.
Her oil painting, worked with a palette knife on linen canvas, is based on a dialogue between matter and light. The constructed gesture reveals and sometimes erases forms.
The canvas becomes a space of perception where the real remains present without being entirely defined. Water, the vegetal, and light meet in compositions where abstraction progressively arises from the observation of the natural world.
The pictorial material occupies an essential place in her work. The layers, traces, and superpositions create depths and vibrations that give the painted surface a sensation of movement.
Through this research, Nadine Pillon proposes a contemplative and sensitive painting. Her works invite slowing down the gaze, entering the depths of the image, and perceiving what is found between apparition and effacement.
Water thus becomes much more than a subject: a pictorial territory where light, transparency, matter, and memory meet.
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